Monday, July 21, 2008

Wishful Beginnings - David Bowie & Brian Eno





Cruising around me
the flames burn my body
Wishful beginnings
Does this remind them again & again
You're a sorry little girl
You're a sorry little girl
Please hide,
for the pain must feel
like snow
You're a sorry little girl
Sorry little girl

Please hide from the kiss and the bite
Shame burns
Breathing in, breathing out
Breathing in only doubt
The pain must feel like snow
I'm no longer your golden boy
Sorry little girl
I'm sorry little girl

The pain must feel like snow
There you go
Cover me, cover me
We flew on the wings
We were deep in the dead air
And this one will never go down

We had such
wishful beginnings
But we lived
unbearable lives
I'm sorry little girl
Sorry little girl
So so sorry little girl

The pain must feel like snow
There you go
There you go


photo: deviantArt

Wednesday, July 16, 2008

The Birthmark - Nathaniel Hawthorne

In the latter part of the last century there lived a man of science, an eminent proficient in every branch of natural philosophy, who not long before our story opens had made experience of a spiritual affinity more attractive than any chemical one. He had left his laboratory to the care of an assistant, cleared his fine countenance from the furnace smoke, washed the stain of acids from his fingers, and persuaded a beautiful woman to become his wife. In those days when the comparatively recent discovery of electricity and other kindred mysteries of Nature seemed to open paths into the region of miracle, it was not unusual for the love of science to rival the love of woman in its depth and absorbing energy. The higher intellect, the imagination, the spirit, and even the heart might all find their congenial aliment in pursuits which, as some of their ardent votaries believed, would ascend from one step of powerful intelligence to another, until the philosopher should lay his hand on the secret of creative force and perhaps make new worlds for himself. We know not whether Aylmer possessed this degree of faith in man's ultimate control over Nature. He had devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion. His love for his young wife might prove the stronger of the two; but it could only be by intertwining itself with his love of science, and uniting the strength of the latter to his own.

Such a union accordingly took place, and was attended with truly remarkable consequences and a deeply impressive moral. One day, very soon after their marriage, Aylmer sat gazing at his wife with a trouble in his countenance that grew stronger until he spoke.

"Georgiana," said he, "has it never occurred to you that the mark upon your cheek might be removed?"

"No, indeed," said she, smiling; but perceiving the seriousness of his manner, she blushed deeply. "To tell you the truth it has been so often called a charm that I was simple enough to imagine it might be so."

"Ah, upon another face perhaps it might," replied her husband; "but never on yours. No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection."

"Shocks you, my husband!" cried Georgiana, deeply hurt; at first reddening with momentary anger, but then bursting into tears. "Then why did you take me from my mother's side? You cannot love what shocks you!"

To explain this conversation it must be mentioned that in the centre of Georgiana's left cheek there was a singular mark, deeply interwoven, as it were, with the texture and substance of her face. In the usual state of her complexion--a healthy though delicate bloom--the mark wore a tint of deeper crimson, which imperfectly defined its shape amid the surrounding rosiness. When she blushed it gradually became more indistinct, and finally vanished amid the triumphant rush of blood that bathed the whole cheek with its brilliant glow. But if any shifting motion caused her to turn pale there was the mark again, a crimson stain upon the snow, in what Aylmer sometimes deemed an almost fearful distinctness. Its shape bore not a little similarity to the human hand, though of the smallest pygmy size. Georgiana's lovers were wont to say that some fairy at her birth hour had laid her tiny hand upon the infant's cheek, and left this impress there in token of the magic endowments that were to give her such sway over all hearts. Many a desperate swain would have risked life for the privilege of pressing his lips to the mysterious hand. It must not be concealed, however, that the impression wrought by this fairy sign manual varied exceedingly, according to the difference of temperament in the beholders. Some fastidious persons--but they were exclusively of her own sex--affirmed that the bloody hand, as they chose to call it, quite destroyed the effect of Georgiana's beauty, and rendered her countenance even hideous. But it would be as reasonable to say that one of those small blue stains which sometimes occur in the purest statuary marble would convert the Eve of Powers to a monster. Masculine observers, if the birthmark did not heighten their admiration, contented themselves with wishing it away, that the world might possess one living specimen of ideal loveliness without the semblance of a flaw. After his marriage,--for he thought little or nothing of the matter before,--Aylmer discovered that this was the case with himself.

Had she been less beautiful,--if Envy's self could have found aught else to sneer at,--he might have felt his affection heightened by the prettiness of this mimic hand, now vaguely portrayed, now lost, now stealing forth again and glimmering to and fro with every pulse of emotion that throbbed within her heart; but seeing her otherwise so perfect, he found this one defect grow more and more intolerable with every moment of their united lives. It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain. The crimson hand expressed the ineludible gripe in which mortality clutches the highest and purest of earthly mould, degrading them into kindred with the lowest, and even with the very brutes, like whom their visible frames return to dust. In this manner, selecting it as the symbol of his wife's liability to sin, sorrow, decay, and death, Aylmer's sombre imagination was not long in rendering the birthmark a frightful object, causing him more trouble and horror than ever Georgiana's beauty, whether of soul or sense, had given him delight.

At all the seasons which should have been their happiest, he invariably and without intending it, nay, in spite of a purpose to the contrary, reverted to this one disastrous topic. Trifling as it at first appeared, it so connected itself with innumerable trains of thought and modes of feeling that it became the central point of all. With the morning twilight Aylmer opened his eyes upon his wife's face and recognized the symbol of imperfection; and when they sat together at the evening hearth his eyes wandered stealthily to her cheek, and beheld, flickering with the blaze of the wood fire, the spectral hand that wrote mortality where he would fain have worshipped. Georgiana soon learned to shudder at his gaze. It needed but a glance with the peculiar expression that his face often wore to change the roses of her cheek into a deathlike paleness, amid which the crimson hand was brought strongly out, like a bass-relief of ruby on the whitest marble.

Late one night when the lights were growing dim, so as hardly to betray the stain on the poor wife's cheek, she herself, for the first time, voluntarily took up the subject.

"Do you remember, my dear Aylmer," said she, with a feeble attempt at a smile, "have you any recollection of a dream last night about this odious hand?"

"None! none whatever!" replied Aylmer, starting; but then he added, in a dry, cold tone, affected for the sake of concealing the real depth of his emotion, "I might well dream of it; for before I fell asleep it had taken a pretty firm hold of my fancy."

"And you did dream of it?" continued Georgiana, hastily; for she dreaded lest a gush of tears should interrupt what she had to say. "A terrible dream! I wonder that you can forget it. Is it possible to forget this one expression?--'It is in her heart now; we must have it out!' Reflect, my husband; for by all means I would have you recall that dream."

The mind is in a sad state when Sleep, the all-involving, cannot confine her spectres within the dim region of her sway, but suffers them to break forth, affrighting this actual life with secrets that perchance belong to a deeper one. Aylmer now remembered his dream. He had fancied himself with his servant Aminadab, attempting an operation for the removal of the birthmark; but the deeper went the knife, the deeper sank the hand, until at length its tiny grasp appeared to have caught hold of Georgiana's heart; whence, however, her husband was inexorably resolved to cut or wrench it away.

When the dream had shaped itself perfectly in his memory, Aylmer sat in his wife's presence with a guilty feeling. Truth often finds its way to the mind close muffled in robes of sleep, and then speaks with uncompromising directness of matters in regard to which we practise an unconscious self-deception during our waking moments. Until now he had not been aware of the tyrannizing influence acquired by one idea over his mind, and of the lengths which he might find in his heart to go for the sake of giving himself peace.

"Aylmer," resumed Georgiana, solemnly, "I know not what may be the cost to both of us to rid me of this fatal birthmark. Perhaps its removal may cause cureless deformity; or it may be the stain goes as deep as life itself. Again: do we know that there is a possibility, on any terms, of unclasping the firm gripe of this little hand which was laid upon me before I came into the world?"

"Dearest Georgiana, I have spent much thought upon the subject," hastily interrupted Aylmer. "I am convinced of the perfect practicability of its removal."

"If there be the remotest possibility of it," continued Georgiana, "let the attempt be made at whatever risk. Danger is nothing to me; for life, while this hateful mark makes me the object of your horror and disgust,--life is a burden which I would fling down with joy. Either remove this dreadful hand, or take my wretched life! You have deep science. All the world bears witness of it. You have achieved great wonders. Cannot you remove this little, little mark, which I cover with the tips of two small fingers? Is this beyond your power, for the sake of your own peace, and to save your poor wife from madness?"

"Noblest, dearest, tenderest wife," cried Aylmer, rapturously, "doubt not my power. I have already given this matter the deepest thought--thought which might almost have enlightened me to create a being less perfect than yourself. Georgiana, you have led me deeper than ever into the heart of science. I feel myself fully competent to render this dear cheek as faultless as its fellow; and then, most beloved, what will be my triumph when I shall have corrected what Nature left imperfect in her fairest work! Even Pygmalion, when his sculptured woman assumed life, felt not greater ecstasy than mine will be."

"It is resolved, then," said Georgiana, faintly smiling. "And, Aylmer, spare me not, though you should find the birthmark take refuge in my heart at last."

Her husband tenderly kissed her cheek--her right cheek--not that which bore the impress of the crimson hand.

The next day Aylmer apprised his wife of a plan that he had formed whereby he might have opportunity for the intense thought and constant watchfulness which the proposed operation would require; while Georgiana, likewise, would enjoy the perfect repose essential to its success. They were to seclude themselves in the extensive apartments occupied by Aylmer as a laboratory, and where, during his toilsome youth, he had made discoveries in the elemental powers of Nature that had roused the admiration of all the learned societies in Europe. Seated calmly in this laboratory, the pale philosopher had investigated the secrets of the highest cloud region and of the profoundest mines; he had satisfied himself of the causes that kindled and kept alive the fires of the volcano; and had explained the mystery of fountains, and how it is that they gush forth, some so bright and pure, and others with such rich medicinal virtues, from the dark bosom of the earth. Here, too, at an earlier period, he had studied the wonders of the human frame, and attempted to fathom the very process by which Nature assimilates all her precious influences from earth and air, and from the spiritual world, to create and foster man, her masterpiece. The latter pursuit, however, Aylmer had long laid aside in unwilling recognition of the truth--against which all seekers sooner or later stumble--that our great creative Mother, while she amuses us with apparently working in the broadest sunshine, is yet severely careful to keep her own secrets, and, in spite of her pretended openness, shows us nothing but results. She permits us, indeed, to mar, but seldom to mend, and, like a jealous patentee, on no account to make. Now, however, Aylmer resumed these half-forgotten investigations; not, of course, with such hopes or wishes as first suggested them; but because they involved much physiological truth and lay in the path of his proposed scheme for the treatment of Georgiana.

As he led her over the threshold of the laboratory, Georgiana was cold and tremulous. Aylmer looked cheerfully into her face, with intent to reassure her, but was so startled with the intense glow of the birthmark upon the whiteness of her cheek that he could not restrain a strong convulsive shudder. His wife fainted.

"Aminadab! Aminadab!" shouted Aylmer, stamping violently on the floor.

Forthwith there issued from an inner apartment a man of low stature, but bulky frame, with shaggy hair hanging about his visage, which was grimed with the vapors of the furnace. This personage had been Aylmer's underworker during his whole scientific career, and was admirably fitted for that office by his great mechanical readiness, and the skill with which, while incapable of comprehending a single principle, he executed all the details of his master's experiments. With his vast strength, his shaggy hair, his smoky aspect, and the indescribable earthiness that incrusted him, he seemed to represent man's physical nature; while Aylmer's slender figure, and pale, intellectual face, were no less apt a type of the spiritual element.

"Throw open the door of the boudoir, Aminadab," said Aylmer, "and burn a pastil."

"Yes, master," answered Aminadab, looking intently at the lifeless form of Georgiana; and then he muttered to himself, "If she were my wife, I'd never part with that birthmark."

When Georgiana recovered consciousness she found herself breathing an atmosphere of penetrating fragrance, the gentle potency of which had recalled her from her deathlike faintness. The scene around her looked like enchantment. Aylmer had converted those smoky, dingy, sombre rooms, where he had spent his brightest years in recondite pursuits, into a series of beautiful apartments not unfit to be the secluded abode of a lovely woman. The walls were hung with gorgeous curtains, which imparted the combination of grandeur and grace that no other species of adornment can achieve; and as they fell from the ceiling to the floor, their rich and ponderous folds, concealing all angles and straight lines, appeared to shut in the scene from infinite space. For aught Georgiana knew, it might be a pavilion among the clouds. And Aylmer, excluding the sunshine, which would have interfered with his chemical processes, had supplied its place with perfumed lamps, emitting flames of various hue, but all uniting in a soft, impurpled radiance. He now knelt by his wife's side, watching her earnestly, but without alarm; for he was confident in his science, and felt that he could draw a magic circle round her within which no evil might intrude.

"Where am I? Ah, I remember," said Georgiana, faintly; and she placed her hand over her cheek to hide the terrible mark from her husband's eyes.

"Fear not, dearest!" exclaimed he. "Do not shrink from me! Believe me, Georgiana, I even rejoice in this single imperfection, since it will be such a rapture to remove it."

"Oh, spare me!" sadly replied his wife. "Pray do not look at it again. I never can forget that convulsive shudder."

In order to soothe Georgiana, and, as it were, to release her mind from the burden of actual things, Aylmer now put in practice some of the light and playful secrets which science had taught him among its profounder lore. Airy figures, absolutely bodiless ideas, and forms of unsubstantial beauty came and danced before her, imprinting their momentary footsteps on beams of light. Though she had some indistinct idea of the method of these optical phenomena, still the illusion was almost perfect enough to warrant the belief that her husband possessed sway over the spiritual world. Then again, when she felt a wish to look forth from her seclusion, immediately, as if her thoughts were answered, the procession of external existence flitted across a screen. The scenery and the figures of actual life were perfectly represented, but with that bewitching, yet indescribable difference which always makes a picture, an image, or a shadow so much more attractive than the original. When wearied of this, Aylmer bade her cast her eyes upon a vessel containing a quantity of earth. She did so, with little interest at first; but was soon startled to perceive the germ of a plant shooting upward from the soil. Then came the slender stalk; the leaves gradually unfolded themselves; and amid them was a perfect and lovely flower.

"It is magical!" cried Georgiana. "I dare not touch it."

"Nay, pluck it," answered Aylmer,--"pluck it, and inhale its brief perfume while you may. The flower will wither in a few moments and leave nothing save its brown seed vessels; but thence may be perpetuated a race as ephemeral as itself."

But Georgiana had no sooner touched the flower than the whole plant suffered a blight, its leaves turning coal-black as if by the agency of fire.

"There was too powerful a stimulus," said Aylmer, thoughtfully.

To make up for this abortive experiment, he proposed to take her portrait by a scientific process of his own invention. It was to be effected by rays of light striking upon a polished plate of metal. Georgiana assented; but, on looking at the result, was affrighted to find the features of the portrait blurred and indefinable; while the minute figure of a hand appeared where the cheek should have been. Aylmer snatched the metallic plate and threw it into a jar of corrosive acid.

Soon, however, he forgot these mortifying failures. In the intervals of study and chemical experiment he came to her flushed and exhausted, but seemed invigorated by her presence, and spoke in glowing language of the resources of his art. He gave a history of the long dynasty of the alchemists, who spent so many ages in quest of the universal solvent by which the golden principle might be elicited from all things vile and base. Aylmer appeared to believe that, by the plainest scientific logic, it was altogether within the limits of possibility to discover this long-sought medium; "but," he added, "a philosopher who should go deep enough to acquire the power would attain too lofty a wisdom to stoop to the exercise of it." Not less singular were his opinions in regard to the elixir vitae. He more than intimated that it was at his option to concoct a liquid that should prolong life for years, perhaps interminably; but that it would produce a discord in Nature which all the world, and chiefly the quaffer of the immortal nostrum, would find cause to curse.

"Aylmer, are you in earnest?" asked Georgiana, looking at him with amazement and fear. "It is terrible to possess such power, or even to dream of possessing it."

"Oh, do not tremble, my love," said her husband. "I would not wrong either you or myself by working such inharmonious effects upon our lives; but I would have you consider how trifling, in comparison, is the skill requisite to remove this little hand."

At the mention of the birthmark, Georgiana, as usual, shrank as if a redhot iron had touched her cheek.

Again Aylmer applied himself to his labors. She could hear his voice in the distant furnace room giving directions to Aminadab, whose harsh, uncouth, misshapen tones were audible in response, more like the grunt or growl of a brute than human speech. After hours of absence, Aylmer reappeared and proposed that she should now examine his cabinet of chemical products and natural treasures of the earth. Among the former he showed her a small vial, in which, he remarked, was contained a gentle yet most powerful fragrance, capable of impregnating all the breezes that blow across a kingdom. They were of inestimable value, the contents of that little vial; and, as he said so, he threw some of the perfume into the air and filled the room with piercing and invigorating delight.

"And what is this?" asked Georgiana, pointing to a small crystal globe containing a gold-colored liquid. "It is so beautiful to the eye that I could imagine it the elixir of life."

"In one sense it is," replied Aylmer; "or, rather, the elixir of immortality. It is the most precious poison that ever was concocted in this world. By its aid I could apportion the lifetime of any mortal at whom you might point your finger. The strength of the dose would determine whether he were to linger out years, or drop dead in the midst of a breath. No king on his guarded throne could keep his life if I, in my private station, should deem that the welfare of millions justified me in depriving him of it."

"Why do you keep such a terrific drug?" inquired Georgiana in horror.

"Do not mistrust me, dearest," said her husband, smiling; "its virtuous potency is yet greater than its harmful one. But see! here is a powerful cosmetic. With a few drops of this in a vase of water, freckles may be washed away as easily as the hands are cleansed. A stronger infusion would take the blood out of the cheek, and leave the rosiest beauty a pale ghost."

"Is it with this lotion that you intend to bathe my cheek?" asked Georgiana, anxiously.

"Oh, no," hastily replied her husband; "this is merely superficial. Your case demands a remedy that shall go deeper."

In his interviews with Georgiana, Aylmer generally made minute inquiries as to her sensations and whether the confinement of the rooms and the temperature of the atmosphere agreed with her. These questions had such a particular drift that Georgiana began to conjecture that she was already subjected to certain physical influences, either breathed in with the fragrant air or taken with her food. She fancied likewise, but it might be altogether fancy, that there was a stirring up of her system--a strange, indefinite sensation creeping through her veins, and tingling, half painfully, half pleasurably, at her heart. Still, whenever she dared to look into the mirror, there she beheld herself pale as a white rose and with the crimson birthmark stamped upon her cheek. Not even Aylmer now hated it so much as she.

To dispel the tedium of the hours which her husband found it necessary to devote to the processes of combination and analysis, Georgiana turned over the volumes of his scientific library. In many dark old tomes she met with chapters full of romance and poetry. They were the works of philosophers of the middle ages, such as Albertus Magnus, Cornelius Agrippa, Paracelsus, and the famous friar who created the prophetic Brazen Head. All these antique naturalists stood in advance of their centuries, yet were imbued with some of their credulity, and therefore were believed, and perhaps imagined themselves to have acquired from the investigation of Nature a power above Nature, and from physics a sway over the spiritual world. Hardly less curious and imaginative were the early volumes of the Transactions of the Royal Society, in which the members, knowing little of the limits of natural possibility, were continually recording wonders or proposing methods whereby wonders might be wrought.

But to Georgiana the most engrossing volume was a large folio from her husband's own hand, in which he had recorded every experiment of his scientific career, its original aim, the methods adopted for its development, and its final success or failure, with the circumstances to which either event was attributable. The book, in truth, was both the history and emblem of his ardent, ambitious, imaginative, yet practical and laborious life. He handled physical details as if there were nothing beyond them; yet spiritualized them all, and redeemed himself from materialism by his strong and eager aspiration towards the infinite. In his grasp the veriest clod of earth assumed a soul. Georgiana, as she read, reverenced Aylmer and loved him more profoundly than ever, but with a less entire dependence on his judgment than heretofore. Much as he had accomplished, she could not but observe that his most splendid successes were almost invariably failures, if compared with the ideal at which he aimed. His brightest diamonds were the merest pebbles, and felt to be so by himself, in comparison with the inestimable gems which lay hidden beyond his reach. The volume, rich with achievements that had won renown for its author, was yet as melancholy a record as ever mortal hand had penned. It was the sad confession and continual exemplification of the shortcomings of the composite man, the spirit burdened with clay and working in matter, and of the despair that assails the higher nature at finding itself so miserably thwarted by the earthly part. Perhaps every man of genius in whatever sphere might recognize the image of his own experience in Aylmer's journal.

So deeply did these reflections affect Georgiana that she laid her face upon the open volume and burst into tears. In this situation she was found by her husband.

"It is dangerous to read in a sorcerer's books," said he with a smile, though his countenance was uneasy and displeased. "Georgiana, there are pages in that volume which I can scarcely glance over and keep my senses. Take heed lest it prove as detrimental to you."

"It has made me worship you more than ever," said she.

"Ah, wait for this one success," rejoined he, "then worship me if you will. I shall deem myself hardly unworthy of it. But come, I have sought you for the luxury of your voice. Sing to me, dearest."

So she poured out the liquid music of her voice to quench the thirst of his spirit. He then took his leave with a boyish exuberance of gayety, assuring her that her seclusion would endure but a little longer, and that the result was already certain. Scarcely had he departed when Georgiana felt irresistibly impelled to follow him. She had forgotten to inform Aylmer of a symptom which for two or three hours past had begun to excite her attention. It was a sensation in the fatal birthmark, not painful, but which induced a restlessness throughout her system. Hastening after her husband, she intruded for the first time into the laboratory.

The first thing that struck her eye was the furnace, that hot and feverish worker, with the intense glow of its fire, which by the quantities of soot clustered above it seemed to have been burning for ages. There was a distilling apparatus in full operation. Around the room were retorts, tubes, cylinders, crucibles, and other apparatus of chemical research. An electrical machine stood ready for immediate use. The atmosphere felt oppressively close, and was tainted with gaseous odors which had been tormented forth by the processes of science. The severe and homely simplicity of the apartment, with its naked walls and brick pavement, looked strange, accustomed as Georgiana had become to the fantastic elegance of her boudoir. But what chiefly, indeed almost solely, drew her attention, was the aspect of Aylmer himself.

He was pale as death, anxious and absorbed, and hung over the furnace as if it depended upon his utmost watchfulness whether the liquid which it was distilling should be the draught of immortal happiness or misery. How different from the sanguine and joyous mien that he had assumed for Georgiana's encouragement!

"Carefully now, Aminadab; carefully, thou human machine; carefully, thou man of clay!" muttered Aylmer, more to himself than his assistant. "Now, if there be a thought too much or too little, it is all over."

"Ho! ho!" mumbled Aminadab. "Look, master! look!"

Aylmer raised his eyes hastily, and at first reddened, then grew paler than ever, on beholding Georgiana. He rushed towards her and seized her arm with a gripe that left the print of his fingers upon it.

"Why do you come hither? Have you no trust in your husband?" cried he, impetuously. "Would you throw the blight of that fatal birthmark over my labors? It is not well done. Go, prying woman, go!"

"Nay, Aylmer," said Georgiana with the firmness of which she possessed no stinted endowment, "it is not you that have a right to complain. You mistrust your wife; you have concealed the anxiety with which you watch the development of this experiment. Think not so unworthily of me, my husband. Tell me all the risk we run, and fear not that I shall shrink; for my share in it is far less than your own."

"No, no, Georgiana!" said Aylmer, impatiently; "it must not be."

"I submit," replied she calmly. "And, Aylmer, I shall quaff whatever draught you bring me; but it will be on the same principle that would induce me to take a dose of poison if offered by your hand."

"My noble wife," said Aylmer, deeply moved, "I knew not the height and depth of your nature until now. Nothing shall be concealed. Know, then, that this crimson hand, superficial as it seems, has clutched its grasp into your being with a strength of which I had no previous conception. I have already administered agents powerful enough to do aught except to change your entire physical system. Only one thing remains to be tried. If that fail us we are ruined."

"Why did you hesitate to tell me this?" asked she.

"Because, Georgiana," said Aylmer, in a low voice, "there is danger."

"Danger? There is but one danger--that this horrible stigma shall be left upon my cheek!" cried Georgiana. "Remove it, remove it, whatever be the cost, or we shall both go mad!"

"Heaven knows your words are too true," said Aylmer, sadly. "And now, dearest, return to your boudoir. In a little while all will be tested."

He conducted her back and took leave of her with a solemn tenderness which spoke far more than his words how much was now at stake. After his departure Georgiana became rapt in musings. She considered the character of Aylmer, and did it completer justice than at any previous moment. Her heart exulted, while it trembled, at his honorable love--so pure and lofty that it would accept nothing less than perfection nor miserably make itself contented with an earthlier nature than he had dreamed of. She felt how much more precious was such a sentiment than that meaner kind which would have borne with the imperfection for her sake, and have been guilty of treason to holy love by degrading its perfect idea to the level of the actual; and with her whole spirit she prayed that, for a single moment, she might satisfy his highest and deepest conception. Longer than one moment she well knew it could not be; for his spirit was ever on the march, ever ascending, and each instant required something that was beyond the scope of the instant before.

The sound of her husband's footsteps aroused her. He bore a crystal goblet containing a liquor colorless as water, but bright enough to be the draught of immortality. Aylmer was pale; but it seemed rather the consequence of a highly-wrought state of mind and tension of spirit than of fear or doubt.

"The concoction of the draught has been perfect," said he, in answer to Georgiana's look. "Unless all my science have deceived me, it cannot fail."

"Save on your account, my dearest Aylmer," observed his wife, "I might wish to put off this birthmark of mortality by relinquishing mortality itself in preference to any other mode. Life is but a sad possession to those who have attained precisely the degree of moral advancement at which I stand. Were I weaker and blinder it might be happiness. Were I stronger, it might be endured hopefully. But, being what I find myself, methinks I am of all mortals the most fit to die."

"You are fit for heaven without tasting death!" replied her husband "But why do we speak of dying? The draught cannot fail. Behold its effect upon this plant."

On the window seat there stood a geranium diseased with yellow blotches, which had overspread all its leaves. Aylmer poured a small quantity of the liquid upon the soil in which it grew. In a little time, when the roots of the plant had taken up the moisture, the unsightly blotches began to be extinguished in a living verdure.

"There needed no proof," said Georgiana, quietly. "Give me the goblet I joyfully stake all upon your word."

"Drink, then, thou lofty creature!" exclaimed Aylmer, with fervid admiration. "There is no taint of imperfection on thy spirit. Thy sensible frame, too, shall soon be all perfect."

She quaffed the liquid and returned the goblet to his hand.

"It is grateful," said she with a placid smile. "Methinks it is like water from a heavenly fountain; for it contains I know not what of unobtrusive fragrance and deliciousness. It allays a feverish thirst that had parched me for many days. Now, dearest, let me sleep. My earthly senses are closing over my spirit like the leaves around the heart of a rose at sunset."

She spoke the last words with a gentle reluctance, as if it required almost more energy than she could command to pronounce the faint and lingering syllables. Scarcely had they loitered through her lips ere she was lost in slumber. Aylmer sat by her side, watching her aspect with the emotions proper to a man the whole value of whose existence was involved in the process now to be tested. Mingled with this mood, however, was the philosophic investigation characteristic of the man of science. Not the minutest symptom escaped him. A heightened flush of the cheek, a slight irregularity of breath, a quiver of the eyelid, a hardly perceptible tremor through the frame,--such were the details which, as the moments passed, he wrote down in his folio volume. Intense thought had set its stamp upon every previous page of that volume, but the thoughts of years were all concentrated upon the last.

While thus employed, he failed not to gaze often at the fatal hand, and not without a shudder. Yet once, by a strange and unaccountable impulse he pressed it with his lips. His spirit recoiled, however, in the very act, and Georgiana, out of the midst of her deep sleep, moved uneasily and murmured as if in remonstrance. Again Aylmer resumed his watch. Nor was it without avail. The crimson hand, which at first had been strongly visible upon the marble paleness of Georgiana's cheek, now grew more faintly outlined. She remained not less pale than ever; but the birthmark with every breath that came and went, lost somewhat of its former distinctness. Its presence had been awful; its departure was more awful still. Watch the stain of the rainbow fading out the sky, and you will know how that mysterious symbol passed away.

"By Heaven! it is well-nigh gone!" said Aylmer to himself, in almost irrepressible ecstasy. "I can scarcely trace it now. Success! success! And now it is like the faintest rose color. The lightest flush of blood across her cheek would overcome it. But she is so pale!"

He drew aside the window curtain and suffered the light of natural day to fall into the room and rest upon her cheek. At the same time he heard a gross, hoarse chuckle, which he had long known as his servant Aminadab's expression of delight.

"Ah, clod! ah, earthly mass!" cried Aylmer, laughing in a sort of frenzy, "you have served me well! Matter and spirit--earth and heaven --have both done their part in this! Laugh, thing of the senses! You have earned the right to laugh."

These exclamations broke Georgiana's sleep. She slowly unclosed her eyes and gazed into the mirror which her husband had arranged for that purpose. A faint smile flitted over her lips when she recognized how barely perceptible was now that crimson hand which had once blazed forth with such disastrous brilliancy as to scare away all their happiness. But then her eyes sought Aylmer's face with a trouble and anxiety that he could by no means account for.

"My poor Aylmer!" murmured she.

"Poor? Nay, richest, happiest, most favored!" exclaimed he. "My peerless bride, it is successful! You are perfect!"

"My poor Aylmer," she repeated, with a more than human tenderness, "you have aimed loftily; you have done nobly. Do not repent that with so high and pure a feeling, you have rejected the best the earth could offer. Aylmer, dearest Aylmer, I am dying!"

Alas! it was too true! The fatal hand had grappled with the mystery of life, and was the bond by which an angelic spirit kept itself in union with a mortal frame. As the last crimson tint of the birthmark--that sole token of human imperfection--faded from her cheek, the parting breath of the now perfect woman passed into the atmosphere, and her soul, lingering a moment near her husband, took its heavenward flight. Then a hoarse, chuckling laugh was heard again! Thus ever does the gross fatality of earth exult in its invariable triumph over the immortal essence which, in this dim sphere of half development, demands the completeness of a higher state. Yet, had Alymer reached a profounder wisdom, he need not thus have flung away the happiness which would have woven his mortal life of the selfsame texture with the celestial. The momentary circumstance was too strong for him; he failed to look beyond the shadowy scope of time, and, living once for all in eternity, to find the perfect future in the present.

THE END

Tuesday, June 17, 2008

His name was Edward

OLD KIM
Well, a long time ago, an inventor lived in
that mansion. He made many things, I suppose.
He also created a man. He gave him inside, a
heart, a brain, everything. Well, almost
everything. You see, the inventor was very old.
He died before he got to finish the man he
invented. So the man was left by himself,
incomplete and all alone.

GRANDDAUGHTER
He didn't have a name?

OLD KIM
Of course, he had a name. His name was Edward.


His name was Edward and people known him as Edward
Scissorhands.
He was kind and gentle but he had scissors
for hands and ...
people never forgave him that.

Monday, June 16, 2008

Introducing The Twilight Saga by Stephenie Meyer

"As Shakespeare knew, love burns high when thwarted by obstacles. In Twilight, an exquisite fantasy by Stephenie Meyer, readers discover a pair of lovers who are supremely star-crossed. Bella adores beautiful Edward, and he returns her love. But Edward is having a hard time controlling the blood lust she arouses in him, because—he’s a vampire. At any moment, the intensity of their passion could drive him to kill her, and he agonizes over the danger. But, Bella would rather be dead than part from Edward, so she risks her life to stay near him, and the novel burns with the erotic tension of their dangerous and necessarily chaste relationship.”
Amazon.com


This is the review of the first novel of The Twilight Saga by Stephenie Meyer as I found it in Amazon.com. It is about a new vampire series that has become very popular amongst teenagers and adults. I admit that the theme of the saga has intrigued my interest although I haven't yet read any novel of the series. I have ordered the first novel from Amazon.com and I expect it to come in the next days. Then I intend also to come back with a review of the first novel and I hope that it will inspire me to read the following novels of the saga. In the meantime, I have to inform you that the novels were so successful that a movie is also about to come. It is expected on December 12, 2008 starring Kirsten Stewart and Robert Pattinson (he was the one who played Cedric Diggory in Harry Potter and the Goblet of Fire). I am looking forward to watch this new vampire movie as well and I do hope that it will respect the vampire myth as it was renovated and vitalized by the mother of the modern vampires, Anne Rice.


For those who might be interested in finding more information about The Twilight Saga you can visit the official page of the author Stephenie Meyer: http://www.stepheniemeyer.com/ and the official page of the movie: http://twilightthemovie.com/

Zemanta Pixie

Manfred - Act 3 - Lord Byron

ACT III

SCENE I
A Hall in the Castle of Manfred.

          MANFRED and HERMAN.

MANFRED. What is the hour?

HERMAN. It wants but one till sunset,
And promises a lovely twilight.

MANFRED. Say,
Are all things so disposed of in the tower
As I directed?

HERMAN. All, my lord, are ready;
Here is the key and casket.

MANFRED. It is well:
Thou mayst retire. [Exit HERMAN.]

MANFRED (alone). There is a calm upon me--
Inexplicable stillness! which till now
Did not belong to what I knew of life.
If that I did not know philosophy
To be of all our vanities the motliest,
The merest word that ever fool'd the ear
From out the schoolman's jargon, I should deem
The golden secret, the sought 'Kalon,' found,
And seated in my soul. It will not last,
But it is well to have known it, though but once:
It hath enlarged my thoughts with a new sense,
And I within my tablets would note down
That there is such a feeling. Who is there?


Re-enter HERMAN.

HERMAN. My lord, the abbot of St. Maurice craves
To greet your presence.

Enter the ABBOT OF ST. MAURICE.

ABBOT. Peace be with Count Manfred!

MANFRED. Thanks, holy father! welcome to these walls;
Thy presence honours them, and blesseth those
Who dwell within them.

ABBOT. Would it were so, Count!--
But I would fain confer with thee alone.

MANFRED. Herman, retire.-- What would my reverend guest?

ABBOT. Thus, without prelude:-- Age and zeal, my office,
And good intent, must plead my privilege;
Our near, though not acquainted neighbourhood,
May also be my herald. Rumours strange,
And of unholy nature, are abroad,
And busy with thy name; a noble name
For centuries: may he who bears it now
Transmit it unimpair'd!

MANFRED. Proceed,-- I listen.

ABBOT 'T is said thou holdest converse with the things
Which are forbidden to the search of man;
That with the dwellers of the dark abodes,
The many evil and unheavenly spirits
Which walk the valley of the shade of death,
Thou communest. I know that with mankind,
Thy fellows in creation, thou dost rarely
Exchange thy thoughts, and that thy solitude
Is as an anchorite's, were it but holy.

MANFRED. And what are they who do avouch these things?

ABBOT. My pious brethren, the scared peasantry,
Even thy own vassals, who do look on thee
With most unquiet eyes. Thy life's in peril.

MANFRED. Take it.

ABBOT. I come to save, and not destroy.
I would not pry into thy secret soul;
But if these things be sooth, there still is time
For penitence and pity: reconcile thee
With the true church, and through the church to heaven.

MANFRED. I hear thee. This is my reply, whate'er
I may have been, or am, doth rest between
Heaven and myself; I shall not choose a mortal
To be my mediator. Have I sinn'd
Against your ordinances? prove and punish!

ABBOT. My son! I did not speak of punishment,
But penitence and pardon; with thyself
The choice of such remains-- and for the last,
Our institutions and our strong belief
Have given me power to smooth the path from sin
To higher hope and better thoughts, the first
I leave to heaven-- 'Vengeance is mine alone!'
So saith the Lord, and with all humbleness
His servant echoes back the awful word.

MANFRED. Old man! there is no power in holy men,
Nor charm in prayer, nor purifying form
Of penitence, nor outward look, nor fast,
Nor agony, nor, greater than all these,
The innate tortures of that deep despair
Which is remorse without the fear of hell
But all in all sufficient to itself
Would make a hell of heaven,-- can exorcise
From out the unbounded spirit, the quick sense
Of its own sins, wrongs, sufferance, and revenge
Upon itself; there is no future pang
Can deal that justice on the self-condemn'd
He deals on his own soul.

ABBOT. All this is well;
For this will pass away, and be succeeded
By an auspicious hope, which shall look up
With calm assurance to that blessed place
Which all who seek may win, whatever be
Their earthly errors, so they be atoned:
And the commencement of atonement is
The sense of its necessity.-- Say on--
And all our church can teach thee shall be taught;
And all we can absolve thee, shall be pardon'd.

MANFRED. When Rome's sixth Emperor was near his last,
The victim of a self-inflicted wound,
To shun the torments of a public death
From senates once his slaves, a certain soldier,
With show of loyal pity, would have staunch'd
The gushing throat with his officious robe;
The dying Roman thrust him back and said--
Some empire still in his expiring glance--
'It is too late-- is this fidelity?'

ABBOT. And what of this?

MANFRED. I answer with the Roman--
'It is too late!'

ABBOT. It never can be so,
To reconcile thyself with thy own soul,
And thy own soul with heaven. Hast thou no hope?
'Tis strange-- even those who do despair above,
Yet shape themselves some phantasy on earth,
To which frail twig they cling, like drowning men.

MANFRED. Ay-- father! I have had those earthly visions
And noble aspirations in my youth,
To make my own the mind of other men,
The enlightener of nations; and to rise
I knew not whither-- it might be to fall;
But fall, even as the mountain--cataract,
Which having leapt from its more dazzling height,
Even in the foaming strength of its abyss
(Which casts up misty columns that become
Clouds raining from the re-ascended skies)
Lies low but mighty still.-- But this is past,
My thoughts mistook themselves.

ABBOT. And wherefore so?

MANFRED. I could not tame my nature down; for he
Must serve who fain would sway-- and soothe, and sue,
And watch all time, and pry into all place,
And be a living lie, who would become
A mighty thing amongst the mean, and such
The mass are; I disdain'd to mingle with
A herd, though to be leader-- and of wolves.
The lion is alone, and so am I.

ABBOT. And why not live and act with other men?

MANFRED. Because my nature was averse from life;
And yet not cruel; for I would not make,
But find a desolation. Like the wind,
The red--hot breath of the most lone Simoom,
Which dwells but in the desert, and sweeps o'er
The barren sands which bear no shrubs to blast
And revels o'er their wild and arid waves,
And seeketh not, so that it is not sought,
But being met is deadly,-- such hath been
The course of my existence; but there came
Things in my path which are no more.

ABBOT. Alas!
I 'gin to fear that thou art past all aid
From me and from my calling; yet so young,
I still would--

MANFRED. Look on me! there is an order
Of mortals on the earth, who do become
Old in their youth, and die ere middle age,
Without the violence of warlike death;
Some perishing of pleasure, some of study,
Some worn with toil, some of mere weariness,
Some of disease, and some insanity,
And some of wither'd or of broken hearts;
For this last is a malady which slays
More than are number'd in the lists of Fate,
Taking all shapes, and bearing many names.
Look upon me! for even of all these things
Have I partaken; and of all these things,
One were enough; then wonder not that I
Am what I am, but that I ever was,
Or, having been, that I am still on earth.

ABBOT. Yet, hear me still--

MANFRED. Old man! I do respect
Thine order, and revere thine years; I deem
Thy purpose pious, but it is in vain.
Think me not churlish; I would spare thyself,
Far more than me, in shunning at this time
All further colloquy; and so-- farewell.

[Exit MANFRED.]

ABBOT. This should have been a noble creature: he
Hath all the energy which would have made
A goodly frame of glorious elements,
Had they been wisely mingled; as it is,
It is an awful chaos-- light and darkness,
And mind and dust-- and passions and pure thoughts,
Mix'd, and contending without end or order,
All dormant or destructive. He will perish,
And yet he must not; I will try once more,
For such are worth redemption; and my duty
Is to dare all things for a righteous end.
I'll follow him-- but cautiously, though surely.

[Exit ABBOT.]

SCENE II
Another Chamber.

MANFRED and HERMAN.

HERMAN. My Lord, you bade me wait on you at sunset:
He sinks beyond the mountain.

MANFRED. Doth he so?
I will look on him.

[MANFRED advances to the Window of the Hall.]

Glorious Orb! the idol
Of early nature, and the vigorous race
Of undiseased mankind the giant sons
Of the embrace of angels, with a sex
More beautiful than they, which did draw down
The erring spirits who can ne'er return;
Most glorious orb! that wert a worship, ere
The mystery of thy making was reveal'd!
Thou earliest minister of the Almighty,
Which gladden'd, on their mountain tops, the hearts
Of the Chaldean shepherds, till they pour'd
Themselves in orisons! Thou material God!
And representative of the Unknown,
Who chose thee for his shadow! Thou chief star!
Centre of many stars! which mak'st our earth
Endurable, and temperest the hues
And hearts of all who walk within thy rays!
Sire of the seasons! Monarch of the climes
And those who dwell in them! for near or far
Our inborn spirits have a tint of thee,
Even as our outward aspects;-- thou dost rise,
And shine, and set in glory. Fare thee well!
I ne'er shall see thee more. As my first glance
Of love and wonder was for thee, then take
My latest look: thou wilt not beam on one
To whom the gifts of life and warmth have been
Of a more fatal nature. He is gone;
I follow. [Exit MANFRED.]

SCENE III
The Mountains.-- The Castle of MANFRED at some distance.-- A Terrace before a Tower.-- Time, Twilight.

HERMAN, MANUEL, and other Dependants of MANFRED.
HERMAN. 'T is strange enough; night after night, for years,
He hath pursued long vigils in this tower,
Without a witness. I have been within it,--
So have we all been oft-times; but from it
Or its contents, it were impossible
To draw conclusions absolute of aught
His studies tend to. To be sure, there is
One chamber where none enter: I would give
The fee of what I have to come these three years
To pore upon its mysteries.

MANUEL. 'T were dangerous;
Content thyself with what thou know'st already.

HERMAN. Ah! Manuel! thou art elderly and wise,
And could'st say much; thou hast dwelt within the castle--
How many years is't?

MANUEL. Ere Count Manfred's birth,
I served his father, whom he nought resembles.

HERMAN. There be more sons in like predicament.
But wherein do they differ?

MANUEL. I speak not
Of features or of form, but mind and habits;
Count Sigismund was proud, but gay and free--
A warrior and a reveller; he dwelt not
With books and solitude, nor made the night
A gloomy vigil, but a festal time,
Merrier than day; he did not walk the rocks
And forests like a wolf, nor turn aside
From men and their delights.

HERMAN. Beshrew the hour,
But those were jocund times! I would that such
Would visit the old walls again; they look
As if they had forgotten them.

MANUEL. These walls
Must change their chieftain first. Oh! I have seen
Some strange things in them, Herman.

HERMAN. Come, be friendly;
Relate me some to while away our watch:
I've heard thee darkly speak of an event
Which happen'd hereabouts, by this same tower.

MANUEL. That was a night indeed! I do remember
'T was twilight, as it may be now, and such
Another evening; yon red cloud, which rests
On Eigher's pinnacle, so rested then,--
So like that it might be the same; the wind
Was faint and gusty, and the mountain snows
Began to glitter with the climbing moon.
Count Manfred was, as now, within his tower,--
How occupied, we knew not, but with him
The sole companion of his wanderings
And watchings-- her, whom of all earthly things
That lived, the only thing he seem'd to love,--
As he, indeed, by blood was bound to do,
The Lady Astarte, his--
Hush! who comes here?

Enter the ABBOT.

ABBOT. Where is your master?

HERMAN. Yonder in the tower.

ABBOT. I must speak with him.

MANUEL. 'T is impossible;
He is most private, and must not be thus
Intruded on.

ABBOT. Upon myself I take
The forfeit of my fault, if fault there be--
But I must see him.

HERMAN. Thou hast seen him once
This eve already.

ABBOT. Herman! I command thee,
Knock, and apprize the Count of my approach.

HERMAN. We dare not.

ABBOT. Then it seems I must be herald
Of my own purpose.

MANUEL. Reverend father, stop--
I pray you pause.

ABBOT. Why so?

MANUEL. But step this way,
And I will tell you further. [Exeunt.]

SCENE IV
Interior of the Tower.

               MANFRED alone.

The stars are forth, the moon above the tops
Of the snow-shining mountains.-- Beautiful!
I linger yet with Nature, for the night
Hath been to me a more familiar face
Than that of man; and in her starry shade
Of dim, and solitary loveliness,
I learn'd the language of another world.
I do remember me, that in my youth,
When I was wandering,-- upon such a night
I stood within the Coloseum's wall,
Midst the chief relics of almighty Rome.
The trees which grew along the broken arches
Waved dark in the blue midnight, and the stars
Shone through the rents of ruin; from afar
The watchdog bay'd beyond the Tiber; and
More near from out the Caesars' palace came
The owl's long cry, and, interruptedly,
Of distant sentinels the fitful song
Begun and died upon the gentle wind.
Some cypresses beyond the time--worn breach
Appear'd to skirt the horizon, yet they stood
Within a bowshot. Where the Caesars dwelt,
And dwell the tuneless birds of night, amidst
A grove which springs through levell'd battlements,
And twines its roots with the imperial hearths,
Ivy usurps the laurel's place of growth;--
But the gladiators' bloody Circus stands,
A noble wreck in ruinous perfection!
While Caesar's chambers, and the Augustan halls
Grovel on earth in indistinct decay.--
And thou didst shine, thou rolling moon, upon
All this, and cast a wide and tender light,
Which soften'd down the hoar austerity
Of rugged desolation, and fill'd up,
As 'twere anew, the gaps of centuries;
Leaving that beautiful which still was so,
And making that which was not, till the place
Became religion, and the heart ran o'er
With silent worship of the great of old,--
The dead, but sceptred sovereigns, who still rule
Our spirits from their urns.--
'T was such a night!
'T is strange that I recall it at this time;
But I have found our thoughts take wildest flight
Even at the moment when they should array
Themselves in pensive order.

Enter the ABBOT.

ABBOT. My good Lord!
I crave a second grace for this approach;
But yet let not my humble zeal offend
By its abruptness-- all it hath of ill
Recoils on me; its good in the effect
May light upon your head-- could I say heart--
Could I touch that, with words or prayers, I should
Recall a noble spirit which hath wander'd
But is not yet all lost.

MANFRED. Thou know'st me not;
My days are number'd, and my deeds recorded:
Retire, or 't will be dangerous-- Away!

ABBOT. Thou dost not mean to menace me?

MANFRED. Not I;
I simply tell thee peril is at hand,
And would preserve thee.

ABBOT. What dost thou mean?

MANFRED. Look there!
What dost thou see?

ABBOT. Nothing.

MANFRED. Look there, I say,
And steadfastly;-- now tell me what thou seest?

ABBOT. That which should shake me-- but I fear it not;
I see a dusk and awful figure rise,
Like an infernal god from out the earth;
His face wrapt in a mantle, and his form
Robed as with angry clouds: he stands between
Thyself and me-- but I do fear him not.

MANFRED. Thou hast no cause; he shall not harm thee, but
His sight may shock thine old limbs into palsy.
I say to thee-- Retire!

ABBOT. And, I reply,
Never-- till I have battled with this fiend:--
What doth he here?

MANFRED. Why-- ay-- what doth he here?
I did not send for him,-- he is unbidden.

ABBOT. Alas! lost mortal! what with guests like these
Hast thou to do? I tremble for thy sake:
Why doth he gaze on thee, and thou on him?
Ah! he unveils his aspect; on his brow
The thunder-scars are graven; from his eye
Glares forth the immortality of hell--
Avaunt!--

MANFRED. Pronounce-- what is thy mission?

SPIRIT. Come!

ABBOT. What art thou, unknown being? answer!-- speak!

SPIRIT. The genius of this mortal.-- Come! 't is time.

MANFRED. I am prepared for all things, but deny
The power which summons me. Who sent thee here?

SPIRIT. Thou'lt know anon-- Come! Come!

MANFRED. I have commanded
Things of an essence greater far than thine,
And striven with thy masters. Get thee hence!

SPIRIT. Mortal! thine hour is come-- Away! I say.

MANFRED. I knew, and know my hour is come, but not
To render up my soul to such as thee:
Away! I'll die as I have lived-- alone.

SPIRIT. Then I must summon up my brethren.-- Rise!
[Other spirits rise up.]

ABBOT. Avaunt! ye evil ones!-- Avaunt! I say,--
Ye have no power where piety hath power,
And I do charge ye in the name--

SPIRIT. Old man!
We know ourselves, our mission, and thine order;
Waste not thy holy words on idle uses,
It were in vain; this man is forfeited.
Once more I summon him-- Away! away!

MANFRED. I do defy ye,-- though I feel my soul
Is ebbing from me, yet I do defy ye;
Nor will I hence, while I have earthly breath
To breathe my scorn upon ye-- earthly strength
To wrestle, though with spirits; what ye take
Shall be ta'en limb by limb.

SPIRIT. Reluctant mortal!
Is this the Magian who would so pervade
The world invisible, and make himself
Almost our equal?-- Can it be that thou
Art thus in love with life? the very life
Which made thee wretched!

MANFRED. Thou false fiend, thou liest!
My life is in its last hour,-- that I know,
Nor would redeem a moment of that hour.
I do not combat against death, but thee
And thy surrounding angels; my past power
Was purchased by no compact with thy crew,
But by superior science-- penance-- daring,
And length of watching-- strength of mind-- and skill
In knowledge of our fathers when the earth
Saw men and spirits walking side by side
And gave ye no supremacy: I stand
Upon my strength-- I do defy-- deny--
Spurn back, and scorn ye!--

SPIRIT. But thy many crimes
Have made thee--

MANFRED. What are they to such as thee?
Must crimes be punish'd but by other crimes,
And greater criminals?-- Back to thy hell!
Thou hast no power upon me, that I feel;
Thou never shalt possess me, that I know:
What I have done is done; I bear within
A torture which could nothing gain from thine.
The mind which is immortal makes itself
Requital for its good or evil thoughts,
Is its own origin of ill and end,
And its own place and time; its innate sense,
When stripp'd of this mortality, derives
No colour from the fleeting things without,
But is absorb'd in sufferance or in joy,
Born from the knowledge of its own desert.
Thou didst not tempt me, and thou couldst not tempt me;
I have not been thy dupe nor am thy prey,
But was my own destroyer, and will be
My own hereafter.-- Back, ye baffled fiends!
The hand of death is on me-- but not yours!
[The Demons disappear.]

ABBOT. Alas! how pale thou art-- thy lips are white--
And thy breast heaves-- and in thy gasping throat
The accents rattle. Give thy prayers to Heaven--
Pray-- albeit but in thought,-- but die not thus.

MANFRED. 'T is over-- my dull eyes can fix thee not;
But all things swim around me, and the earth
Heaves as it were beneath me. Fare thee well--
Give me thy hand.

ABBOT. Cold-- cold-- even to the heart--
But yet one prayer-- Alas! how fares it with thee?

MANFRED. Old man! 't is not so difficult to die.

[MANFRED expires.]

ABBOT. He's gone, his soul hath ta'en its earthless flight;
Whither? I dread to think; but he is gone.

THE END

Sunday, June 15, 2008

Manfred - Act 2 - Lord Byron

ACT II

SCENE I
A Cottage amongst the Bernese Alps.

MANFRED and the CHAMOIS HUNTER.


CHAMOIS HUNTER. No, no, yet pause, thou must not yet go
forth:
Thy mind and body are alike unfit
To trust each other, for some hours, at least;
When thou art better, I will be thy guide--
But whither?

MANFRED. It imports not; I do know
My route full well, and need no further guidance.

CHAMOIS HUNTER. Thy garb and gait bespeak thee of
high lineage--
One of the many chiefs, whose castled crags
Look o'er the lower valleys-- which of these
May call thee Lord? I only know their portals;
My way of life leads me but rarely down
To bask by the huge hearths of those old halls,
Carousing with the vassals, but the paths,
Which step from out our mountains to their doors,
I know from childhood-- which of these is thine?

MANFRED. No matter.

CHAMOIS HUNTER. Well, sir, pardon me the question,
And be of better cheer. Come, taste my wine;
'Tis of an ancient vintage; many a day
'T has thaw'd my veins among our glaciers, now
Let it do thus for thine. Come, pledge me fairly.

MANFRED. Away, away! there's blood upon the brim!
Will it then never-- never sink in the earth?

CHAMOIS HUNTER. What dost thou mean? thy senses
wander from thee.

MANFRED. I say 't is blood-- my blood! the pure warm
stream
Which ran in the veins of my fathers, and in ours
When we were in our youth, and had one heart
And loved each other as we should not love,
And this was shed: but still it rises up
Colouring the clouds, that shut me out from heaven
Where thou art not-- and I shall never be.

CHAMOIS HUNTER. Man of strange words, and some
half-maddening sin
Which makes thee people vacancy, whate'er
Thy dread and sufferance be, there's comfort yet--
The aid of holy men, and heavenly patience--

MANFRED. Patience and patience! Hence-- that word was made
For brutes of burthen, not for birds of prey;
Preach it to mortals of a dust like thine,--
I am not of thine order.

CHAMOIS HUNTER. Thanks to heaven!
I would not be of thine for the free fame
Of William Tell; but whatsoe'er thine ill,
It must be borne, and these wild starts are useless.

MANFRED. Do I not bear it? -- Look on me -- I live.

CHAMOIS HUNTER. This is convulsion, and no healthful
life.

MANFRED. I tell thee, man! I have lived many years,
Many long years, but they are nothing now
To those which I must number: ages-- ages--
Space and eternity-- and consciousness,
With the fierce thirst of death-- and still unslaked!

CHAMOIS HUNTER. Why, on thy brow the seal of middle age
Hath scarce been set; I am thine elder far.

MANFRED. Think'st thou existence doth depend on time?
It doth; but actions are our epochs: mine
Have made my days and nights imperishable
Endless, and all alike, as sands on the shore
Innumerable atoms; and one desart
Barren and cold, on which the wild waves break,
But nothing rests, save carcases and wrecks,
Rocks, and the salt-surf weeds of bitterness.

CHAMOIS HUNTER. Alas! he's mad-- but yet I must not
leave him.

MANFRED. I would I were-- for then the things I see
Would be but a distemper'd dream.

CHAMOIS HUNTER. What is it
That thou dost see, or think thou look'st upon?

MANFRED. Myself, and thee-- a peasant of the Alps--
Thy humble virtues, hospitable home
And spirit patient, pious, proud and free;
Thy self-respect, grafted on innocent thoughts;
Thy days of health, and nights of sleep; thy toils
By danger dignified, yet guiltless; hopes
Of cheerful old age and a quiet grave,
With cross and garland over its green turf,
And thy grandchildren's love for epitaph;
This do I see-- and then I look within--
It matters not-- my soul was scorch'd already!

CHAMOIS HUNTER. And would'st thou then exchange thy lot
for mine?

MANFRED. No, friend! I would not wrong thee, nor exchange
My lot with living being: I can bear--
However wretchedly, 't is still to bear--
In life what others could not brook to dream,
But perish in their slumber.

CHAMOIS HUNTER. And with this--
This cautious feeling for another's pain,
Canst thou be black with evil?-- say not so.
Can one of gentle thoughts have wreak'd revenge
Upon his enemies?

MANFRED. Oh! no, no, no!
My injuries came down on those who loved me--
On those whom I best loved: I never quell'd
An enemy, save in my just defence--
But my embrace was fatal.

CHAMOIS HUNTER. Heaven give thee rest!
And penitence restore thee to thyself;
My prayers shall be for thee.

MANFRED. I need them not,
But can endure thy pity. I depart--
'T is time-- farewell!-- Here's gold, and thanks for
thee;
No words-- it is thy due. Follow me not;
I know my path-- the mountain peril's past:
And once again, I charge thee, follow not!

[Exit MANFRED.]


SCENE II
A lower Valley in the Alps.-- A Cataract.
          Enter MANFRED.

It is not noon-- the sunbow's rays still arch
The torrent with the many hues of heaven,
And roll the sheeted silver's waving column
O'er the crag's headlong perpendicular,
And fling its lines of foaming height along,
And to and fro, like the pale courser's tail,
The Giant steed, to be bestrode by Death,
As told in the Apocalypse. No eyes
But mine now drink this sight of loveliness;
I should be sole in this sweet solitude,
And with the Spirit of the place divide
The homage of these waters.-- I will call her.
[MANFRED takes some of the water into the palm of his hand, and flings it in the air, muttering the adjuration. After a pause, the WITCH OF THE ALPS rises beneath the arch of the sunbow of the torrent.]


Beautiful Spirit! with thy hair of light,
And dazzling eyes of glory, in whose form
The charms of Earth's least mortal daughters grow
To an unearthly stature, in an essence
Of purer elements; while the hues of youth
(Carnation'd like a sleeping infant's cheek
Rock'd by the beating of her mother's heart,
Or the rose tints, which summer's twilight leaves
Upon the lofty glacier's virgin snow,
The blush of earth embracing with her heaven)
Tinge thy celestial aspect, and make tame
The beauties of the sunbow which bends o'er thee.
Beautiful Spirit! in thy calm clear brow,
Wherein is glass'd serenity of soul,
Which of itself shows immortality,
I read that thou wilt pardon to a Son
Of Earth, whom the abstruser powers permit
At times to commune with them-- if that he
Avail him of his spells-- to call thee thus,
And gaze on thee a moment.

WITCH. Son of Earth!
I know thee, and the powers which give thee power;
I know thee for a man of many thoughts,
And deeds of good and ill, extreme in both,
Fatal and fated in thy sufferings.
I have expected this-- what wouldst thou with me?

MANFRED. To look upon thy beauty-- nothing further.
The face of the earth hath madden'd me, and I
Take refuge in her mysteries, and pierce
To the abodes of those who govern her--
But they can nothing aid me. I have sought
From them what they could not bestow, and now
I search no further.

WITCH. What could be the quest
Which is not in the power of the most powerful,
The rulers of the invisible?

MANFRED. A boon;
But why should I repeat it? 'twere in vain.

WITCH. I know not that; let thy lips utter it.

MANFRED. Well, though it torture me, 't is but the same;
My pang shall find a voice. From my youth upwards
My spirit walk'd not with the souls of men,
Nor look'd upon the earth with human eyes;
The thirst of their ambition was not mine;
The aim of their existence was not mine;
My joys, my griefs, my passions, and my powers,
Made me a stranger; though I wore the form,
I had no sympathy with breathing flesh,
Nor midst the creatures of clay that girded me
Was there but one who-- but of her anon.
I said with men, and with the thoughts of men,
I held but slight communion; but instead,
My joy was in the Wilderness, to breathe
The difficult air of the iced mountain's top,
Where the birds dare not build, nor insect's wing
Flit o'er the herbless granite; or to plunge
Into the torrent, and to roll along
On the swift whirl of the new breaking wave
Of river-stream, or ocean, in their flow.
In these my early strength exulted; or
To follow through the night the moving moon,
The stars and their development, or catch
The dazzling lightnings till my eyes grew dim;
Or to look, list'ning, on the scatter'd leaves,
While Autumn winds were at their evening song.
These were my pastimes, and to be alone;
For if the beings, of whom I was one,--
Hating to be so,-- cross'd me in my path,
I felt myself degraded back to them,
And was all clay again. And then I dived,
In my lone wanderings, to the caves of death,
Searching its cause in its effect, and drew
From wither'd bones, and skulls, and heap'd up dust,
Conclusions most forbidden. Then I pass'd
The nights of years in sciences, untaught
Save in the old-time; and with time and toil,
And terrible ordeal, and such penance
As in itself hath power upon the air
And spirits that do compass air and earth,
Space, and the peopled infinite, I made
Mine eyes familiar with Eternity,
Such as, before me, did the Magi, and
He who from out their fountain dwellings raised
Eros and Anteros, at Gadara,
As I do thee,-- and with my knowledge grew
The thirst of knowledge, and the power and joy
Of this most bright intelligence, until--

WITCH. Proceed.

MANFRED. Oh! I but thus prolonged my words,
Boasting these idle attributes, because
As I approach the core of my heart's grief--
But to my task. I have not named to thee
Father or mother, mistress, friend, or being
With whom I wore the chain of human ties;
If I had such, they seem'd not such to me--
Yet there was one--

WITCH. Spare not thyself-- proceed.

MANFRED. She was like me in lineaments-- her eyes
Her hair, her features, all, to the very tone
Even of her voice, they said were like to mine;
But soften'd all, and temper'd into beauty;
She had the same lone thoughts and wanderings,
The quest of hidden knowledge, and a mind
To comprehend the universe: nor these
Alone, but with them gentler powers than mine,
Pity, and smiles, and tears-- which I had not;
And tenderness-- but that I had for her;
Humility-- and that I never had.
Her faults were mine-- her virtues were her own--
I loved her, and destroy'd her!

WITCH. With thy hand?

MANFRED. Not with my hand, but heart-- which broke
her heart;
It gazed on mine, and wither'd. I have shed
Blood, but not hers-- and yet her blood was shed--
I saw, and could not stanch it.

WITCH. And for this--
A being of the race thou dost despise,
The order which thine own would rise above,
Mingling with us and ours, thou dost forego
The gifts of our great knowledge, and shrink'st back
To recreant mortality-- Away!

MANFRED. Daughter of Air! I tell thee, since that hour--
But words are breath-- look on me in my sleep,
Or watch my watchings-- Come and sit by me!
My solitude is solitude no more,
But peopled with the Furies,-- I have gnash'd
My teeth in darkness till returning morn,
Then cursed myself till sunset;-- I have pray'd
For madness as a blessing-- 'tis denied me.
I have affronted death-- but in the war
Of elements the waters shrunk from me,
And fatal things pass'd harmless-- the cold hand
Of an all--pitiless demon held me back,
Back by a single hair, which would not break.
In fantasy, imagination, all
The affluence of my soul-- which one day was
A Croesus in creation-- I plunged deep,
But, like an ebbing wave, it dash'd me back
Into the gulf of my unfathom'd thought.
I plunged amidst mankind-- Forgetfulness
I sought in all, save where 'tis to be found,
And that I have to learn-- my sciences,
My long pursued and superhuman art,
Is mortal here; I dwell in my despair--
And live-- and live for ever.

WITCH. It may be
That I can aid thee.

MANFRED. To do this thy power
Must wake the dead, or lay me low with them.
Do so-- in any shape-- in any hour--
With any torture-- so it be the last.

WITCH. That is not in my province; but if thou
Wilt swear obedience to my will, and do
My bidding, it may help thee to thy wishes.

MANFRED. I will not swear-- Obey! and whom? the spirits
Whose presence I command, and be the slave
Of those who served me-- Never!

WITCH. Is this all?
Hast thou no gentler answer?-- Yet bethink thee,
And pause ere thou rejectest.

MANFRED. I have said it.

WITCH. Enough!-- I may retire then-- say!

MANFRED. Retire!

[The WITCH disappears.]

MANFRED (alone). We are the fools of time and
terror: Days
Steal on us and steal from us; yet we live,
Loathing our life, and dreading still to die.
In all the days of this detested yoke--
This vital weight upon the struggling heart,
Which sinks with sorrow, or beats quick with pain,
Or joy that ends in agony or faintness--
In all the days of past and future, for
In life there is no present, we can number
How few, how less than few, wherein the soul
Forbears to pant for death, and yet draws back
As from a stream in winter, though the chill
Be but a moment's. I have one resource
Still in my science-- I can call the dead,
And ask them what it is we dread to be:
The sternest answer can but be the Grave,
And that is nothing-- if they answer not--
The buried Prophet answered to the Hag
Of Endor; and the Spartan Monarch drew
From the Byzantine maid's unsleeping spirit
An answer and his destiny-- he slew
That which he loved unknowing what he slew,
And died unpardon'd-- though he call'd in aid
The Phyxian Jove, and in Phigalia roused
The Arcadian Evocators to compel
The indignant shadow to depose her wrath,
Or fix her term of vengeance-- she replied
In words of dubious import, but fulfill'd.
If I had never lived, that which I love
Had still been living; had I never loved,
That which I love would still be beautiful--
Happy and giving happiness. What is she?
What is she now?-- a sufferer for my sins--
A thing I dare not think upon-- or nothing.
Within few hours I shall not call in vain--
Yet in this hour I dread the thing I dare:
Until this hour I never shrunk to gaze
On spirit, good or evil--now I tremble,
And feel a strange cold thaw upon my heart.
But I can act even what I most abhor,
And champion human fears.-- The night approaches.

[Exit.]

SCENE III
The Summit of the Jungfrau Mountain.

     Enter FIRST DESTINY.

The moon is rising broad, and round, and bright;
And here on snows, where never human foot
Of common mortal trod, we nightly tread,
And leave no traces; o'er the savage sea,
The glassy ocean of the mountain ice,
We skim its rugged breakers, which put on
The aspect of a tumbling tempest's foam,
Frozen in a moment-- a dead whirlpool's image.
And this most steep fantastic pinnacle,
The fretwork of some earthquake-- where the clouds
Pause to repose themselves in passing by--
Is sacred to our revels, or our vigils;
Here do I wait my sisters, on our way
To the Hall of Arimanes, for to-night
Is our great festival-- 't is strange they come not.


A Voice without, singing.

The Captive Usurper,
Hurl'd down from the throne,
Lay buried in torpor,
Forgotten and lone;
I broke through his slumbers,
I shiver'd his chain,
I leagued him with numbers--
He's Tyrant again!
With the blood of a million he'll answer my care,
With a nation's destruction-- his flight and despair.


Second Voice, without.

The ship sail'd on, the ship sail'd fast,
But I left not a sail, and I left not a mast;
There is not a plank of the hull or the deck,
And there is not a wretch to lament o'er his wreck;
Save one, whom I held, as he swam, by the hair,
And he was a subject well worthy my care;
A traitor on land, and a pirate at sea--
But I saved him to wreak further havoc for me!


FIRST DESTINY, answering.

The city lies sleeping;
The morn, to deplore it,
May dawn on it weeping:
Sullenly, slowly,
The black plague flew o'er it--
Thousands lie lowly;
Tens of thousands shall perish--
The living shall fly from
The sick they should cherish;
But nothing can vanquish
The touch that they die from.
Sorrow and anguish,
And evil and dread,
Envelope a nation--
The blest are the dead,
Who see not the sight
Of their own desolation;
This work of a night--
This wreck of a realm-- this deed of my doing--
For ages I've done, and shall still be renewing!


Enter the SECOND and THIRD DESTINIES.

The Three.

Our hands contain the hearts of men,
Our footsteps are their graves:
We only give to take again
The spirits of our slaves!

FIRST DESTINY. Welcome!-- Where's Nemesis?

SECOND DESTINY. At some great work;
But what I know not, for my hands were full.

THIRD DESTINY. Behold she cometh.


Enter NEMESIS.

FIRST DESTINY. Say, where hast thou been?
My sisters and thyself are slow to-night.

NEMESIS. l was detain'd repairing shattered thrones,
Marrying fools, restoring dynasties,
Avenging men upon their enemies,
And making them repent their own revenge;
Goading the wise to madness, from the dull
Shaping out oracles to rule the world
Afresh, for they were waxing out of date,
And mortals dared to ponder for themselves,
To weigh kings in the balance, and to speak
Of freedom, the forbidden fruit.-- Away!
We have outstaid the hour-- mount we our clouds!

[Exeunt.]

SCENE IV

The Hall of ARIMANES.-- ARIMANES on his Throne, a Globe of Fire, surrounded by the SPIRITS.


Hymn of the SPIRITS

Hail to our Master!-- Prince of Earth and Air!--
Who walks the clouds and waters-- in his hand
The sceptre of the elements, which tear
Themselves to chaos at his high command!
He breatheth-- and a tempest shakes the sea;
He speaketh-- and the clouds reply in thunder;
He gazeth-- from his glance the sunbeams flee;
He moveth-- earthquakes rend the world asunder.
Beneath his footsteps the volcanoes rise;
His shadow is the Pestilence; his path
The comets herald through the crackling skies;
And planets turn to ashes at his wrath.
To him War offers daily sacrifice;
To him Death pays his tribute; Life is his,
With all its infinite of agonies--
And his the spirit of whatever is!


Enter the DESTINIES and NEMESIS.

FIRST DESTINY. Glory to Arimanes! on the earth
His power increaseth-- both my sisters did
His bidding, nor did I neglect my duty!

SECOND DESTINY. Glory to Arimanes! we who bow
The necks of men, bow down before his throne!

THIRD DESTINY. Glory to Arimanes!-- we await His nod!

NEMESIS. Sovereign of Sovereigns! we are thine.
And all that liveth, more or less, is ours,
And most things wholly so; still to increase
Our power, increasing thine, demands our care,
And we are vigilant-- Thy late commands
Have been fulfill'd to the utmost.


Enter MANFRED.

A SPIRIT. What is here?
A mortal!-- Thou most rash and fatal wretch,
Bow down and worship!

SECOND SPIRIT. I do know the man--
A Magian of great power, and fearful skill!

THIRD SPIRIT. Bow down and worship, slave! What, know'st
thou not
Thine and our Sovereign?-- Tremble, and obey!

ALL THE SPIRITS. Prostrate thyself, and thy condemnèd
clay,
Child of the Earth! or dread the worst.

MANFRED. I know it;
And yet ye see I kneel not.

FOURTH SPIRIT. 'T will be taught thee.

MANFRED. 'Tis taught already,-- many a night on the
earth,
On the bare ground, have I bow'd down my face,
And strew'd my head with ashes; I have known
The fulness of humiliation, for
I sunk before my vain despair, and knelt
To my own desolation.

FIFTH SPIRIT. Dost thou dare
Refuse to Arimanes on his throne
What the whole earth accords, beholding not
The terror of his Glory-- Crouch! I say.

MANFRED. Bid him bow down to that which is above him,
The overruling Infinite-- the Maker
Who made him not for worship-- let him kneel,
And we will kneel together.

THE SPIRITS. Crush the worm!
Tear him in pieces!--

FIRST DESTINY. Hence! Avaunt!-- he's mine.
Prince of the Powers invisible! This man
Is of no common order, as his port
And presence here denote. His sufferings
Have been of an immortal nature, like
Our own; his knowledge and his powers and will,
As far as is compatible with clay,
Which clogs the ethereal essence, have been such
As clay hath seldom borne; his aspirations
Have been beyond the dwellers of the earth,
And they have only taught him what we know--
That knowledge is not happiness, and science
But an exchange of ignorance for that
Which is another kind of ignorance.
This is not all; the passions, attributes
Of earth and heaven, from which no power, nor being,
Nor breath from the worm upwards is exempt,
Have pierced his heart; and in their consequence
Made him a thing, which I, who pity not,
Yet pardon those who pity. He is mine,
And thine, it may be-- be it so, or not,
No other Spirit in this region hath
A soul like his-- or power upon his soul.

NEMESIS. What doth he here then?

FIRST DESTINY. Let him answer that.

MANFRED. Ye know what I have known; and without power
I could not be amongst ye: but there are
Powers deeper still beyond-- I come in quest
Of such, to answer unto what I seek.

NEMESIS. What wouldst thou?

MANFRED. Thou canst not reply to me.
Call up the dead-- my question is for them.

NEMESIS. Great Arimanes, doth thy will avouch
The wishes of this mortal?

ARIMANES. Yea.

NEMESIS. Whom wouldst thou
Uncharnel?

MANFRED. One without a tomb-- call up Astarte.


NEMESIS

Shadow! or Spirit!
Whatever thou art,
Which still doth inherit
The whole or a part
Of the form of thy birth,
Of the mould of thy clay
Which returned to the earth,--
Re-appear to the day!
Bear what thou borest,
The heart and the form,
And the aspect thou worest
Redeem from the worm.
Appear!-- Appear!-- Appear!
Who sent thee there requires thee here!


[The Phantom of ASTARTE rises and stands in the midst.]

MANFRED. Can this be death? there's bloom upon her cheek;
But now I see it is no living hue,
But a strange hectic-- like the unnatural red
Which Autumn plants upon the perish'd leaf.
It is the same! Oh, God! that I should dread
To look upon the same-- Astarte!-- No,
I cannot speak to her-- but bid her speak--
Forgive me or condemn me.


NEMESIS

By the power which hath broken
The grave which enthrall'd thee,
Speak to him who hath spoken,
Or those who have call'd thee!


MANFRED. She is silent,
And in that silence I am more than answer'd.

NEMESIS. My power extends no further.
Prince of air! It rests with thee alone-- command
her voice.

ARIMANES. Spirit-- obey this sceptre!

NEMESIS. Silent still!
She is not of our order, but belongs
To the other powers. Mortal! thy quest is vain,
And we are baffled also.

MANFRED. Hear me, hear me--
Astarte! my belovèd! speak to me;
I have so much endured-- so much endure--
Look on me! the grave hath not changed thee more
Than I am changed for thee. Thou lovèdst me
Too much, as I loved thee: we were not made
To torture thus each other, though it were
The deadliest sin to love as we have loved.
Say that thou loath'st me not-- that I do bear
This punishment for both--that thou wilt be
One of the blessèd-- and that I shall die;
For hitherto all hateful things conspire
To bind me in existence-- in a life
Which makes me shrink from immortality--
A future like the past. I cannot rest.
I know not what I ask, nor what I seek:
I feel but what thou art-- and what I am;
And I would hear yet once before I perish
The voice which was my music-- Speak to me!
For I have call'd on thee in the still night,
Startled the slumbering birds from the hush'd boughs,
And woke the mountain wolves, and made the caves
Acquainted with thy vainly echo'd name,
Which answer'd me-- many things answer'd me--
Spirits and men-- but thou wert silent all.
Yet speak to me! I have outwatch'd the stars,
And gazed o'er heaven in vain in search of thee.
Speak to me! I have wander'd o'er the earth,
And never found thy likeness-- Speak to me!
Look on the fiends around-- they feel for me:
I fear them not, and feel for thee alone.
Speak to me! though it be in wrath;-- but say--
I reck not what-- but let me hear thee once--
This once-- once more!

PHANTOM OF ASTARTE. Manfred!

MANFRED. Say on, say on--
I live but in the sound--it is thy voice!

PHANTOM. Manfred! To-morrow ends thine earthly ills.
Farewell!

MANFRED. Yet one word more-- am I forgiven?

PHANTOM. Farewell!

MANFRED. Say, shall we meet again?

PHANTOM. Farewell!

MANFRED. One word for mercy! Say, thou lovest me.

PHANTOM. Manfred!

[The Spirit of ASTARTE departs.]

NEMESIS. She's gone, and will not be recall'd;
Her words will be fulfill'd. Return to the earth.

A SPIRIT. He is convulsed-- This is to be a mortal
And seek the things beyond mortality.

ANOTHER SPIRIT. Yet, see, he mastereth himself,
and makes
His torture tributary to his will.
Had he been one of us, he would have made
An awful spirit.

NEMESIS. Hast thou further question
Of our great sovereign, or his worshippers?
MANFRED. None.

NEMESIS. Then for a time farewell.

MANFRED. We meet then! Where? On the earth?--
Even as thou wilt: and for the grace accorded
I now depart a debtor. Fare ye well!

[Exit MANFRED.]

END OF ACT II

[read Act III here]