Little Red Riding Hood - Charles Perrault

Once upon a time there lived in a certain village a little country girl, the prettiest creature who was ever seen. Her mother was excessively fond of her; and her grandmother doted on her still more. This good woman had a little red riding hood made for her. It suited the girl so extremely well that everybody called her Little Red Riding Hood.

One day her mother, having made some cakes, said to her, "Go, my dear, and see how your grandmother is doing, for I hear she has been very ill. Take her a cake, and this little pot of butter."

Little Red Riding Hood set out immediately to go to her grandmother, who lived in another village.

As she was going through the wood, she met with a wolf, who had a very great mind to eat her up, but he dared not, because of some woodcutters working nearby in the forest. He asked her where she was going. The poor child, who did not know that it was dangerous to stay and talk to a wolf, said to him, "I am going to see my grandmother and carry her a cake and a little pot of butter from my mother."

"Does she live far off?" said the wolf

"Oh I say," answered Little Red Riding Hood; "it is beyond that mill you see there, at the first house in the village."

"Well," said the wolf, "and I'll go and see her too. I'll go this way and go you that, and we shall see who will be there first."

The wolf ran as fast as he could, taking the shortest path, and the little girl took a roundabout way, entertaining herself by gathering nuts, running after butterflies, and gathering bouquets of little flowers. It was not long before the wolf arrived at the old woman's house. He knocked at the door: tap, tap.

"Who's there?"

"Your grandchild, Little Red Riding Hood," replied the wolf, counterfeiting her voice; "who has brought you a cake and a little pot of butter sent you by mother."

The good grandmother, who was in bed, because she was somewhat ill, cried out, "Pull the bobbin, and the latch will go up."

The wolf pulled the bobbin, and the door opened, and then he immediately fell upon the good woman and ate her up in a moment, for it been more than three days since he had eaten. He then shut the door and got into the grandmother's bed, expecting Little Red Riding Hood, who came some time afterwards and knocked at the door: tap, tap.

"Who's there?"

Little Red Riding Hood, hearing the big voice of the wolf, was at first afraid; but believing her grandmother had a cold and was hoarse, answered, "It is your grandchild Little Red Riding Hood, who has brought you a cake and a little pot of butter mother sends you."

The wolf cried out to her, softening his voice as much as he could, "Pull the bobbin, and the latch will go up."

Little Red Riding Hood pulled the bobbin, and the door opened.

The wolf, seeing her come in, said to her, hiding himself under the bedclothes, "Put the cake and the little pot of butter upon the stool, and come get into bed with me."

Little Red Riding Hood took off her clothes and got into bed. She was greatly amazed to see how her grandmother looked in her nightclothes, and said to her, "Grandmother, what big arms you have!"

"All the better to hug you with, my dear."

"Grandmother, what big legs you have!"

"All the better to run with, my child."

"Grandmother, what big ears you have!"

"All the better to hear with, my child."

"Grandmother, what big eyes you have!"

"All the better to see with, my child."

"Grandmother, what big teeth you have got!"

"All the better to eat you up with."

And, saying these words, this wicked wolf fell upon Little Red Riding Hood, and ate her all up.

Moral: Children, especially attractive, well bred young ladies, should never talk to strangers, for if they should do so, they may well provide dinner for a wolf. I say "wolf," but there are various kinds of wolves. There are also those who are charming, quiet, polite, unassuming, complacent, and sweet, who pursue young women at home and in the streets. And unfortunately, it is these gentle wolves who are the most dangerous ones of all.

The Shadow - Hans Christian Andersen

It is in the hot lands that the sun burns, sure enough! there the people become quite a mahogany brown, ay, and in the hottest lands they are burnt to Negroes. But now it was only to the hot lands that a learned man had come from the cold; there he thought that he could run about just as when at home, but he soon found out his mistake.

He, and all sensible folks, were obliged to stay within doors--the window-shutters and doors were closed the whole day; it looked as if the whole house slept, or there was no one at home.

The narrow street with the high houses, was built so that the sunshine must fall there from morning till evening--it was really not to be borne.

The learned man from the cold lands--he was a young man, and seemed to be a clever man--sat in a glowing oven; it took effect on him, he became quite meagre--even his shadow shrunk in, for the sun had also an effect on it. It was first towards evening when the sun was down, that they began to freshen up again.

In the warm lands every window has a balcony, and the people came out on all the balconies in the street--for one must have air, even if one be accustomed to be mahogany!* It was lively both up and down the street. Tailors, and shoemakers, and all the folks, moved out into the street--chairs and tables were brought forth--and candles burnt--yes, above a thousand lights were burning--and the one talked and the other sung; and people walked and church-bells rang, and asses went along with a dingle-dingle-dong! for they too had bells on. The street boys were screaming and hooting, and shouting and shooting, with devils and detonating balls--and there came corpse bearers and hood wearers--for there were funerals with psalm and hymn--and then the din of carriages driving and company arriving: yes, it was, in truth, lively enough down in the street. Only in that single house, which stood opposite that in which the learned foreigner lived, it was quite still; and yet some one lived there, for there stood flowers in the balcony--they grew so well in the sun's heat! and that they could not do unless they were watered--and some one must water them--there must be somebody there. The door opposite was also opened late in the evening, but it was dark within, at least in the front room; further in there was heard the sound of music. The learned foreigner thought it quite marvellous, but now--it might be that he only imagined it--for he found everything marvellous out there, in the warm lands, if there had only been no sun. The stranger's landlord said that he didn't know who had taken the house opposite, one saw no person about, and as to the music, it appeared to him to be extremely tiresome. "It is as if some one sat there, and practised a piece that he could not master--always the same piece. 'I shall master it!' says he; but yet he cannot master it, however long he plays."

* The word mahogany can be understood, in Danish, as having two meanings. In general, it means the reddish-brown wood itself; but in jest, it signifies "excessively fine," which arose from an anecdote of Nyboder, in Copenhagen, (the seamen's quarter.) A sailor's wife, who was always proud and fine, in her way, came to her neighbor, and complained that she had got a splinter in her finger. "What of?" asked the neighbor's wife. "It is a mahogany splinter," said the other. "Mahogany! It cannot be less with you!" exclaimed the woman-and thence the proverb, "It is so mahogany!"-(that is, so excessively fine)--is derived.

One night the stranger awoke--he slept with the doors of the balcony open--the curtain before it was raised by the wind, and he thought that a strange lustre came from the opposite neighbor's house; all the flowers shone like flames, in the most beautiful colors, and in the midst of the flowers stood a slender, graceful maiden--it was as if she also shone; the light really hurt his eyes. He now opened them quite wide--yes, he was quite awake; with one spring he was on the floor; he crept gently behind the curtain, but the maiden was gone; the flowers shone no longer, but there they stood, fresh and blooming as ever; the door was ajar, and, far within, the music sounded so soft and delightful, one could really melt away in sweet thoughts from it. Yet it was like a piece of enchantment. And who lived there? Where was the actual entrance? The whole of the ground-floor was a row of shops, and there people could not always be running through.

One evening the stranger sat out on the balcony. The light burnt in the room behind him; and thus it was quite natural that his shadow should fall on his opposite neighbor's wall. Yes! there it sat, directly opposite, between the flowers on the balcony; and when the stranger moved, the shadow also moved: for that it always does.

"I think my shadow is the only living thing one sees over there," said the learned man. "See, how nicely it sits between the flowers. The door stands half-open: now the shadow should be cunning, and go into the room, look about, and then come and tell me what it had seen. Come, now! Be useful, and do me a service," said he, in jest. "Have the kindness to step in. Now! Art thou going?" and then he nodded to the shadow, and the shadow nodded again. "Well then, go! But don't stay away."

The stranger rose, and his shadow on the opposite neighbor's balcony rose also; the stranger turned round and the shadow also turned round. Yes! if anyone had paid particular attention to it, they would have seen, quite distinctly, that the shadow went in through the half-open balcony-door of their opposite neighbor, just as the stranger went into his own room, and let the long curtain fall down after him.

Next morning, the learned man went out to drink coffee and read the newspapers.

"What is that?" said he, as he came out into the sunshine. "I have no shadow! So then, it has actually gone last night, and not come again. It is really tiresome!"

This annoyed him: not so much because the shadow was gone, but because he knew there was a story about a man without a shadow.* It was known to everybody at home, in the cold lands; and if the learned man now came there and told his story, they would say that he was imitating it, and that he had no need to do. He would, therefore, not talk about it at all; and that was wisely thought.

*Peter Schlemihl, the shadowless man.

In the evening he went out again on the balcony. He had placed the light directly behind him, for he knew that the shadow would always have its master for a screen, but he could not entice it. He made himself little; he made himself great: but no shadow came again. He said, "Hem! hem!" but it was of no use.

It was vexatious; but in the warm lands everything grows so quickly; and after the lapse of eight days he observed, to his great joy, that a new shadow came in the sunshine. In the course of three weeks he had a very fair shadow, which, when he set out for his home in the northern lands, grew more and more in the journey, so that at last it was so long and so large, that it was more than sufficient.

The learned man then came home, and he wrote books about what was true in the world, and about what was good and what was beautiful; and there passed days and years--yes! many years passed away.

One evening, as he was sitting in his room, there was a gentle knocking at the door.

"Come in!" said he; but no one came in; so he opened the door, and there stood before him such an extremely lean man, that he felt quite strange. As to the rest, the man was very finely dressed--he must be a gentleman.

"Whom have I the honor of speaking?" asked the learned man.

"Yes! I thought as much," said the fine man. "I thought you would not know me. I have got so much body. I have even got flesh and clothes. You certainly never thought of seeing me so well off. Do you not know your old shadow? You certainly thought I should never more return. Things have gone on well with me since I was last with you. I have, in all respects, become very well off. Shall I purchase my freedom from service? If so, I can do it"; and then he rattled a whole bunch of valuable seals that hung to his watch, and he stuck his hand in the thick gold chain he wore around his neck--nay! how all his fingers glittered with diamond rings; and then all were pure gems.

"Nay; I cannot recover from my surprise!" said the learned man. "What is the meaning of all this?"

"Something common, is it not," said the shadow. "But you yourself do not belong to the common order; and I, as you know well, have from a child followed in your footsteps. As soon as you found I was capable to go out alone in the world, I went my own way. I am in the most brilliant circumstances, but there came a sort of desire over me to see you once more before you die; you will die, I suppose? I also wished to see this land again--for you know we always love our native land. I know you have got another shadow again; have I anything to pay to it or you? If so, you will oblige me by saying what it is."

"Nay, is it really thou?" said the learned man. "It is most remarkable: I never imagined that one's old shadow could come again as a man."

"Tell me what I have to pay," said the shadow; "for I don't like to be in any sort of debt."

"How canst thou talk so?" said the learned man. "What debt is there to talk about? Make thyself as free as anyone else. I am extremely glad to hear of thy good fortune: sit down, old friend, and tell me a little how it has gone with thee, and what thou hast seen at our opposite neighbor's there--in the warm lands."

"Yes, I will tell you all about it," said the shadow, and sat down: "but then you must also promise me, that, wherever you may meet me, you will never say to anyone here in the town that I have been your shadow. I intend to get betrothed, for I can provide for more than one family."

"Be quite at thy ease about that," said the learned man; "I shall not say to anyone who thou actually art: here is my hand--I promise it, and a man's bond is his word."

"A word is a shadow," said the shadow, "and as such it must speak."

It was really quite astonishing how much of a man it was. It was dressed entirely in black, and of the very finest cloth; it had patent leather boots, and a hat that could be folded together, so that it was bare crown and brim; not to speak of what we already know it had--seals, gold neck-chain, and diamond rings; yes, the shadow was well-dressed, and it was just that which made it quite a man.

"Now I shall tell you my adventures," said the shadow; and then he sat, with the polished boots, as heavily as he could, on the arm of the learned man's new shadow, which lay like a poodle-dog at his feet. Now this was perhaps from arrogance; and the shadow on the ground kept itself so still and quiet, that it might hear all that passed: it wished to know how it could get free, and work its way up, so as to become its own master.

"Do you know who lived in our opposite neighbor's house?" said the shadow. "It was the most charming of all beings, it was Poesy! I was there for three weeks, and that has as much effect as if one had lived three thousand years, and read all that was composed and written; that is what I say, and it is right. I have seen everything and I know everything!"

"Poesy!" cried the learned man. "Yes, yes, she often dwells a recluse in large cities! Poesy! Yes, I have seen her--a single short moment, but sleep came into my eyes! She stood on the balcony and shone as the Aurora Borealis shines. Go on, go on--thou wert on the balcony, and went through the doorway, and then--"

"Then I was in the antechamber," said the shadow. "You always sat and looked over to the antechamber. There was no light; there was a sort of twilight, but the one door stood open directly opposite the other through a long row of rooms and saloons, and there it was lighted up. I should have been completely killed if I had gone over to the maiden; but I was circumspect, I took time to think, and that one must always do."

"And what didst thou then see?" asked the learned man.

"I saw everything, and I shall tell all to you: but--it is no pride on my part--as a free man, and with the knowledge I have, not to speak of my position in life, my excellent circumstances--I certainly wish that you would say you* to me!"

* It is the custom in Denmark for intimate acquaintances to use the second person singular, "Du," (thou) when speaking to each other. When a friendship is formed between men, they generally affirm it, when occasion offers, either in public or private, by drinking to each other and exclaiming, "thy health," at the same time striking their glasses together. This is called drinking "Duus": they are then, "Duus Brodre," (thou brothers) and ever afterwards use the pronoun "thou," to each other, it being regarded as more familiar than "De," (you). Father and mother, sister and brother say thou to one another--without regard to age or rank. Master and mistress say thou to their servants the superior to the inferior. But servants and inferiors do not use the same term to their masters, or superiors--nor is it ever used when speaking to a stranger, or anyone with whom they are but slightly acquainted --they then say as in English--you.

"I beg your pardon," said the learned man; "it is an old habit with me. You are perfectly right, and I shall remember it; but now you must tell me all you saw!"

"Everything!" said the shadow. "For I saw everything, and I know everything!"

"How did it look in the furthest saloon?" asked the learned man. "Was it there as in the fresh woods? Was it there as in a holy church? Were the saloons like the starlit firmament when we stand on the high mountains?"

"Everything was there!" said the shadow. "I did not go quite in, I remained in the foremost room, in the twilight, but I stood there quite well; I saw everything, and I know everything! I have been in the antechamber at the court of Poesy."

"But what did you see? Did all the gods of the olden times pass through the large saloons? Did the old heroes combat there? Did sweet children play there, and relate their dreams?"

"I tell you I was there, and you can conceive that I saw everything there was to be seen. Had you come over there, you would not have been a man; but I became so! And besides, I learned to know my inward nature, my innate qualities, the relationship I had with Poesy. At the time I was with you, I thought not of that, but always--you know it well--when the sun rose, and when the sun went down, I became so strangely great; in the moonlight I was very near being more distinct than yourself; at that time I did not understand my nature; it was revealed to me in the antechamber! I became a man! I came out matured; but you were no longer in the warm lands; as a man I was ashamed to go as I did. I was in want of boots, of clothes, of the whole human varnish that makes a man perceptible. I took my way--I tell it to you, but you will not put it in any book--I took my way to the cake woman--I hid myself behind her; the woman didn't think how much she concealed. I went out first in the evening; I ran about the streets in the moonlight; I made myself long up the walls--it tickles the back so delightfully! I ran up, and ran down, peeped into the highest windows, into the saloons, and on the roofs, I peeped in where no one could peep, and I saw what no one else saw, what no one else should see! This is, in fact, a base world! I would not be a man if it were not now once accepted and regarded as something to be so! I saw the most unimaginable things with the women, with the men, with parents, and with the sweet, matchless children; I saw," said the shadow, "what no human being must know, but what they would all so willingly know--what is bad in their neighbor. Had I written a newspaper, it would have been read! But I wrote direct to the persons themselves, and there was consternation in all the towns where I came. They were so afraid of me, and yet they were so excessively fond of me. The professors made a professor of me; the tailors gave me new clothes--I am well furnished; the master of the mint struck new coin for me, and the women said I was so handsome! And so I became the man I am. And I now bid you farewell. Here is my card--I live on the sunny side of the street, and am always at home in rainy weather!" And so away went the shadow. "That was most extraordinary!" said the learned man. Years and days passed away, then the shadow came again. "How goes it?" said the shadow.

"Alas!" said the learned man. "I write about the true, and the good, and the beautiful, but no one cares to hear such things; I am quite desperate, for I take it so much to heart!"

"But I don't!" said the shadow. "I become fat, and it is that one wants to become! You do not understand the world. You will become ill by it. You must travel! I shall make a tour this summer; will you go with me? I should like to have a travelling companion! Will you go with me, as shadow? It will be a great pleasure for me to have you with me; I shall pay the travelling expenses!"

"Nay, this is too much!" said the learned man.

"It is just as one takes it!" said the shadow. "It will do you much good to travel! Will you be my shadow? You shall have everything free on the journey!"

"Nay, that is too bad!" said the learned man.

"But it is just so with the world!" said the shadow, "and so it will be!" and away it went again.

The learned man was not at all in the most enviable state; grief and torment followed him, and what he said about the true, and the good, and the beautiful, was, to most persons, like roses for a cow! He was quite ill at last.

"You really look like a shadow!" said his friends to him; and the learned man trembled, for he thought of it.

"You must go to a watering-place!" said the shadow, who came and visited him. "There is nothing else for it! I will take you with me for old acquaintance' sake; I will pay the travelling expenses, and you write the descriptions--and if they are a little amusing for me on the way! I will go to a watering-place--my beard does not grow out as it ought--that is also a sickness-and one must have a beard! Now you be wise and accept the offer; we shall travel as comrades!"

And so they travelled; the shadow was master, and the master was the shadow; they drove with each other, they rode and walked together, side by side, before and behind, just as the sun was; the shadow always took care to keep itself in the master's place. Now the learned man didn't think much about that; he was a very kind-hearted man, and particularly mild and friendly, and so he said one day to the shadow: "As we have now become companions, and in this way have grown up together from childhood, shall we not drink 'thou' together, it is more familiar?"

"You are right," said the shadow, who was now the proper master. "It is said in a very straight-forward and well-meant manner. You, as a learned man, certainly know how strange nature is. Some persons cannot bear to touch grey paper, or they become ill; others shiver in every limb if one rub a pane of glass with a nail: I have just such a feeling on hearing you say thou to me; I feel myself as if pressed to the earth in my first situation with you. You see that it is a feeling; that it is not pride: I cannot allow you to say thou to me, but I will willingly say thou to you, so it is half done!"

So the shadow said thou to its former master.

"This is rather too bad," thought he, "that I must say you and he say thou," but he was now obliged to put up with it.

So they came to a watering-place where there were many strangers, and amongst them was a princess, who was troubled with seeing too well; and that was so alarming!

She directly observed that the stranger who had just come was quite a different sort of person to all the others; "He has come here in order to get his beard to grow, they say, but I see the real cause, he cannot cast a shadow."

She had become inquisitive; and so she entered into conversation directly with the strange gentleman, on their promenades. As the daughter of a king, she needed not to stand upon trifles, so she said, "Your complaint is, that you cannot cast a shadow?"

"Your Royal Highness must be improving considerably," said the shadow, "I know your complaint is, that you see too clearly, but it has decreased, you are cured. I just happen to have a very unusual shadow! Do you not see that person who always goes with me? Other persons have a common shadow, but I do not like what is common to all. We give our servants finer cloth for their livery than we ourselves use, and so I had my shadow trimmed up into a man: yes, you see I have even given him a shadow. It is somewhat expensive, but I like to have something for myself!"

"What!" thought the princess. "Should I really be cured! These baths are the first in the world! In our time water has wonderful powers. But I shall not leave the place, for it now begins to be amusing here. I am extremely fond of that stranger: would that his beard should not grow, for in that case he will leave us!"

In the evening, the princess and the shadow danced together in the large ball-room. She was light, but he was still lighter; she had never had such a partner in the dance. She told him from what land she came, and he knew that land; he had been there, but then she was not at home; he had peeped in at the window, above and below--he had seen both the one and the other, and so he could answer the princess, and make insinuations, so that she was quite astonished; he must be the wisest man in the whole world! She felt such respect for what he knew! So that when they again danced together she fell in love with him; and that the shadow could remark, for she almost pierced him through with her eyes. So they danced once more together; and she was about to declare herself, but she was discreet; she thought of her country and kingdom, and of the many persons she would have to reign over.

"He is a wise man," said she to herself--"It is well; and he dances delightfully--that is also good; but has he solid knowledge? That is just as important! He must be examined."

So she began, by degrees, to question him about the most difficult things she could think of, and which she herself could not have answered; so that the shadow made a strange face.

"You cannot answer these questions?" said the princess.

"They belong to my childhood's learning," said the shadow. "I really believe my shadow, by the door there, can answer them!"

"Your shadow!" said the princess. "That would indeed be marvellous!"

"I will not say for a certainty that he can," said the shadow, "but I think so; he has now followed me for so many years, and listened to my conversation-I should think it possible. But your royal highness will permit me to observe, that he is so proud of passing himself off for a man, that when he is to be in a proper humor--and he must be so to answer well--he must be treated quite like a man."

"Oh! I like that!" said the princess.

So she went to the learned man by the door, and she spoke to him about the sun and the moon, and about persons out of and in the world, and he answered with wisdom and prudence.

"What a man that must be who has so wise a shadow!" thought she. "It will be a real blessing to my people and kingdom if I choose him for my consort--I will do it!"

They were soon agreed, both the princess and the shadow; but no one was to know about it before she arrived in her own kingdom.

"No one--not even my shadow!" said the shadow, and he had his own thoughts about it!

Now they were in the country where the princess reigned when she was at home.

"Listen, my good friend," said the shadow to the learned man. "I have now become as happy and mighty as anyone can be; I will, therefore, do something particular for thee! Thou shalt always live with me in the palace, drive with me in my royal carriage, and have ten thousand pounds a year; but then thou must submit to be called Shadow by all and everyone; thou must not say that thou hast ever been a man; and once a year, when I sit on the balcony in the sunshine, thou must lie at my feet, as a shadow shall do! I must tell thee: I am going to marry the king's daughter, and the nuptials are to take place this evening!"

"Nay, this is going too far!" said the learned man. "I will not have it; I will not do it! It is to deceive the whole country and the princess too! I will tell everything! That I am a man, and that thou art a shadow--thou art only dressed up!"

"There is no one who will believe it!" said the shadow. "Be reasonable, or I will call the guard!"

"I will go directly to the princess!" said the learned man.

"But I will go first!" said the shadow. "And thou wilt go to prison!" and that he was obliged to do--for the sentinels obeyed him whom they knew the king's daughter was to marry.

"You tremble!" said the princess, as the shadow came into her chamber. "Has anything happened? You must not be unwell this evening, now that we are to have our nuptials celebrated."

"I have lived to see the most cruel thing that anyone can live to see!" said the shadow. "Only imagine--yes, it is true, such a poor shadow-skull cannot bear much--only think, my shadow has become mad; he thinks that he is a man, and that I--now only think--that I am his shadow!"

"It is terrible!" said the princess; "but he is confined, is he not?"

"That he is. I am afraid that he will never recover."

"Poor shadow!" said the princess. "He is very unfortunate; it would be a real work of charity to deliver him from the little life he has, and, when I think properly over the matter, I am of opinion that it will be necessary to do away with him in all stillness!"

"It is certainly hard," said the shadow, "for he was a faithful servant!" and then he gave a sort of sigh.

"You are a noble character!" said the princess.

The whole city was illuminated in the evening, and the cannons went off with a bum! bum! and the soldiers presented arms. That was a marriage! The princess and the shadow went out on the balcony to show themselves, and get another hurrah!

The learned man heard nothing of all this--for they had deprived him of life.

The Silver Key - H.P. Lovecraft

When Randolph Carter was thirty he lost the key of the gate of dreams. Prior to that time he had made up for the prosiness of life by nightly excursions to strange and ancient cities beyond space, and lovely, unbelievable garden lands across ethereal seas; but as middle age hardened upon him he felt those liberties slipping away little by little, until at last he was cut off altogether. No more could his galleys sail up the river Oukranos past the gilded spires of Thran, or his elephant caravans tramp through perfumed jungles in Kled, where forgotten palaces with veined ivory columns sleep lovely and unbroken under the moon.

He had read much of things as they are, and talked with too many people. Well-meaning philosophers had taught him to look into the logical relations of things, and analyse the processes which shaped his thoughts and fancies. Wonder had gone away, and he had forgotten that all life is only a set of pictures in the brain, among which there is no difference betwixt those born of real things and those born of inward dreamings, and no cause to value the one above the other. Custom had dinned into his ears a superstitious reverence for that which tangibly and physically exists, and had made him secretly ashamed to dwell in visions. Wise men told him his simple fancies were inane and childish, and even more absurd because their actors persist in fancying them full of meaning and purpose as the blind cosmos grinds aimlessly on from nothing to something and from something back to nothing again, neither heeding nor knowing the wishes or existence of the minds that flicker for a second now and then in the darkness.

They had chained him down to things that are, and had then explained the workings of those things till mystery had gone out of the world. When he complained, and longed to escape into twilight realms where magic moulded all the little vivid fragments and prized associations of his mind into vistas of breathless expectancy and unquenchable delight, they turned him instead toward the new-found prodigies of science, bidding him find wonder in the atom's vortex and mystery in the sky's dimensions. And when he had failed to find these boons in things whose laws are known and measurable, they told him he lacked imagination, and was immature because he preferred dream-illusions to the illusions of our physical creation.

So Carter had tried to do as others did, and pretended that the common events and emotions of earthy minds were more important than the fantasies of rare and delicate souls. He did not dissent when they told him that the animal pain of a stuck pig or dyspeptic ploughman in real life is a greater thing than the peerless beauty of Narath with its hundred carven gates and domes of chalcedony, which he dimly remembered from his dreams; and under their guidance he cultivated a painstaking sense of pity and tragedy.

Once in a while, though, he could not help seeing how shallow, fickle, and meaningless all human aspirations are, and how emptily our real impulses contrast with those pompous ideals we profess to hold. Then he would have recourse to the polite laughter they had taught him to use against the extravagance and artificiality of dreams; for he saw that the daily life of our world is every inch as extravagant and artificial, and far less worthy of respect because of its poverty in beauty and its silly reluctance to admit its own lack of reason and purpose. In this way he became a kind of humorist, for he did not see that even humour is empty in a mindless universe devoid of any true standard of consistency or inconsistency.

In the first days of his bondage he had turned to the gentle churchly faith endeared to him by the naive trust of his fathers, for thence stretched mystic avenues which seemed to promise escape from life. Only on closer view did he mark the starved fancy and beauty, the stale and prosy triteness, and the owlish gravity and grotesque claims of solid truth which reigned boresomely and overwhelmingly among most of its professors; or feel to the full the awkwardness with which it sought to keep alive as literal fact the outgrown fears and guesses of a primal race confronting the unknown. It wearied Carter to see how solemnly people tried to make earthly reality out of old myths which every step of their boasted science confuted, and this misplaced seriousness killed the attachment he might have kept for the ancient creeds had they been content to offer the sonorous rites and emotional outlets in their true guise of ethereal fantasy.

But when he came to study those who had thrown off the old myths, he found them even more ugly than those who had not. They did not know that beauty lies in harmony, and that loveliness of life has no standard amidst an aimless cosmos save only its harmony with the dreams and the feelings which have gone before and blindly moulded our little spheres out of the rest of chaos. They did not see that good and evil and beauty and ugliness are only ornamental fruits of perspective, whose sole value lies in their linkage to what chance made our fathers think and feel, and whose finer details are different for every race and culture. Instead, they either denied these things altogether or transferred them to the crude, vague instincts which they shared with the beasts and peasants; so that their lives were dragged malodorously out in pain, ugliness, and disproportion, yet filled with a ludicrous pride at having escaped from something no more unsound than that which still held them. They had traded the false gods of fear and blind piety for those of license and anarchy.

Carter did not taste deeply of these modern freedoms; for their cheapness and squalor sickened a spirit loving beauty alone while his reason rebelled at the flimsy logic with which their champions tried to gild brute impulse with a sacredness stripped from the idols they had discarded. He saw that most of them, in common with their cast-off priestcraft, could not escape from the delusion that life has a meaning apart from that which men dream into it; and could not lay aside the crude notion of ethics and obligations beyond those of beauty, even when all Nature shrieked of its unconsciousness and impersonal unmorality in the light of their scientific discoveries. Warped and bigoted with preconceived illusions of justice, freedom, and consistency, they cast off the old lore and the old way with the old beliefs; nor ever stopped to think that that lore and those ways were the sole makers of their present thoughts and judgments, and the sole guides and standards in a meaningless universe without fixed aims or stable points of reference. Having lost these artificial settings, their lives grew void of direction and dramatic interest; till at length they strove to drown their ennui in bustle and pretended usefulness, noise and excitement, barbaric display and animal sensation. When these things palled, disappointed, or grew nauseous through revulsion, they cultivated irony and bitterness, and found fault with the social order. Never could they realize that their brute foundations were as shifting and contradictory as the gods of their elders, and that the satisfaction of one moment is the bane of the next. Calm, lasting beauty comes only in a dream, and this solace the world had thrown away when in its worship of the real it threw away the secrets of childhood and innocence.

Amidst this chaos of hollowness and unrest Carter tried to live as befitted a man of keen thought and good heritage. With his dreams fading under the ridicule of the age he could not believe in anything, but the love of harmony kept him close to the ways of his race and station. He walked impassive through the cities of men, and sighed because no vista seemed fully real; because every flash of yellow sunlight on tall roofs and every glimpse of balustraded plazas in the first lamps of evening served only to remind him of dreams he had once known, and to make him homesick for ethereal lands he no longer knew how to find. Travel was only a mockery; and even the Great War stirred him but little, though he served from the first in the Foreign Legion of France. For a while he sought friends, but soon grew weary of the crudeness of their emotions, and the sameness and earthiness of their visions. He felt vaguely glad that all his relatives were distant and out of touch with him, for they would not have understood his mental life. That is, none but his grandfather and great-uncle Christopher could, and they were long dead.

Then he began once more the writing of books, which he had left off when dreams first failed him. But here, too, was there no satisfaction or fulfillment; for the touch of earth was upon his mind, and he could not think of lovely things as he had done of yore. Ironic humor dragged down all the twilight minarets he reared, and the earthy fear of improbability blasted all the delicate and amazing flowers in his faery gardens. The convention of assumed pity spilt mawkishness on his characters, while the myth of an important reality and significant human events and emotions debased all his high fantasy into thin-veiled allegory and cheap social satire. His new novels were successful as his old ones had never been; and because he knew how empty they must be to please an empty herd, he burned them and ceased his writing. They were very graceful novels, in which he urbanely laughed at the dreams he lightly sketched; but he saw that their sophistication had sapped all their life away.

It was after this that he cultivated deliberate illusion, and dabbled in the notions of the bizarre and the eccentric as an antidote for the commonplace. Most of these, however, soon showed their poverty and barrenness; and he saw that the popular doctrines of occultism are as dry and inflexible as those of science, yet without even the slender palliative of truth to redeem them. Gross stupidity, falsehood, and muddled thinking are not dream; and form no escape from life to a mind trained above their own level. So Carter bought stranger books and sought out deeper and more terrible men of fantastic erudition; delving into arcana of consciousness that few have trod, and learning things about the secret pits of life, legend, and immemorial antiquity which disturbed him ever afterward. He decided to live on a rarer plane, and furnished his Boston home to suit his changing moods; one room for each, hung in appropriate colours, furnished with befitting books and objects, and provided with sources of the proper sensations of light, heat, sound, taste, and odour.

Once he heard of a man in the south, who was shunned and feared for the blasphemous things he read in prehistoric books and clay tablets smuggled from India and Arabia. Him he visited, living with him and sharing his studies for seven years, till horror overtook them one midnight in an unknown and archaic graveyard, and only one emerged where two had entered. Then he went back to Arkham, the terrible witch-haunted old town of his forefathers in New England, and had experiences in the dark, amidst the hoary willows and tottering gambrel roofs, which made him seal forever certain pages in the diary of a wild-minded ancestor. But these horrors took him only to the edge of reality, and were not of the true dream country he had known in youth; so that at fifty he despaired of any rest or contentment in a world grown too busy for beauty and too shrewd for dreams.

Having perceived at last the hollowness and futility of real things, Carter spent his days in retirement, and in wistful disjointed memories of his dream-filled youth. He thought it rather silly that he bothered to keep on living at all, and got from a South American acquaintance a very curious liquid to take him to oblivion without suffering. Inertia and force of habit, however, caused him to defer action; and he lingered indecisively among thoughts of old times, taking down the strange hangings from his walls and refitting the house as it was in his early boyhood - purple panes, Victorian furniture, and all.

With the passage of time he became almost glad he had lingered, for his relics of youth and his cleavage from the world made life and sophistication seem very distant and unreal; so much so that a touch of magic and expectancy stole back into his nightly slumbers. For years those slumbers had known only such twisted reflections of every-day things as the commonest slumbers know, but now there returned a flicker of something stranger and wilder; something of vaguely awesome imminence which took the form of tensely clear pictures from his childhood days, and made him think of little inconsequential things he had long forgotten. He would often awake calling for his mother and grandfather, both in their graves a quarter of a century.

Then one night his grandfather reminded him of the key. The grey old scholar, as vivid as in life, spoke long and earnestly of their ancient line, and of the strange visions of the delicate and sensitive men who composed it. He spoke of the flame-eyed Crusader who learnt wild secrets of the Saracens that held him captive; and of the first Sir Randolph Carter who studied magic when Elizabeth was queen. He spoke, too, of that Edmund Carter who had just escaped hanging in the Salem witchcraft, and who had placed in an antique box a great silver key handed down from his ancestors. Before Carter awaked, the gentle visitant had told him where to find that box; that carved oak box of archaic wonder whose grotesque lid no hand had raised for two centuries.

In the dust and shadows of the great attic he found it, remote and forgotten at the back of a drawer in a tall chest. It was about a foot square, and its Gothic carvings were so fearful that he did not marvel no person since Edmund Carter had dared to open it. It gave forth no noise when shaken, but was mystic with the scent of unremembered spices. That it held a key was indeed only a dim legend, and Randolph Carter's father had never known such a box existed. It was bound in rusty iron, and no means was provided for working the formidable lock. Carter vaguely understood that he would find within it some key to the lost gate of dreams, but of where and how to use it his grandfather had told him nothing.

An old servant forced the carven lid, shaking as he did so at the hideous faces leering from the blackened wood, and at some unplaced familiarity. Inside, wrapped in a discoloured parchment, was a huge key of tarnished silver covered with cryptical arabesques; but of any legible explanation there was none. The parchment was voluminous, and held only the strange hieroglyphs of an unknown tongue written with an antique reed. Carter recognized the characters as those he had seen on a certain papyrus scroll belonging to that terrible scholar of the South who had vanished one midmght in a nameless cemetery. The man had always shivered when he read this scroll, and Carter shivered now.

But he cleaned the key, and kept it by him nightly in its aromatic box of ancient oak. His dreams were meanwhile increasing in vividness, and though showing him none of the strange cities and incredible gardens of the old days, were assuming a definite cast whose purpose could not be mistaken. They were calling him back along the years, and with the mingled wills of all his fathers were pulling him toward some hidden and ancestral source. Then he knew he must go into the past and merge himself with old things, and day after day he thought of the hills to the north where haunted Arkham and the rushing Miskatonic and the lonely rustic homestead of his people lay.

In the brooding fire of autumn Carter took the old remembered way past graceful lines of rolling hill and stone-walled meadow, distant vale and hanging woodland, curving road and nestling farmstead, and the crystal windings of the Miskatonic, crossed here and there by rustic bridges of wood or stone. At one bend he saw the group of giant elms among which an ancestor had oddly vanished a century and a half before, and shuddered as the wind blew meaningly through them. Then there was the crumbling farmhouse of old Goody Fowler the witch, with its little evil windows and great roof sloping nearly to the ground on the north side. He speeded up his car as he passed it, and did not slacken till he had mounted the hill where his mother and her fathers before her were born, and where the old white house still looked proudly across the road at the breathlessly lovely panorama of rocky slope and verdant valley, with the distant spires of Kingsport on the horizon, and hints of the archaic, dream-laden sea in the farthest background.

Then came the steeper slope that held the old Carter place he had not seen in over forty years. Afternoon was far gone when he reached the foot, and at the bend half way up he paused to scan the outspread countryside golden and glorified in the slanting floods of magic poured out by a western sun. All the strangeness and expectancy of his recent dreams seemed present in this hushed and unearthly landscape, and he thought of the unknown solitudes of other planets as his eyes traced out the velvet and deserted lawns shining undulant between their tumbled walls, and clumps of faery forest setting off far lines of purple hills beyond hills, and the spectral wooded valley dipping down in shadow to dank hollows where trickling waters crooned and gurgled among swollen and distorted roots.

Something made him feel that motors did not belong in the realm he was seeking, so he left his car at the edge of the forest, and putting the great key in his coat pocket walked on up the hill. Woods now engulfed him utterly, though he knew the house was on a high knoll that cleared the trees except to the north. He wondered how it would look, for it had been left vacant and untended through his neglect since the death of his strange great-uncle Christopher thirty years before. In his boyhood he had revelled through long visits there, and had found weird marvels in the woods beyond the orchard.

Shadows thickened around him, for the night was near. Once a gap in the trees opened up to the right, so that he saw off across leagues of twilight meadow and spied the old Congregational steeple on Central Hill in Kingsport; pink with the last flush of day, the panes of the little round windows blazing with reflected fire. Then, when he was in deep shadow again, he recalled with a start that the glimpse must have come from childish memory alone, since the old white church had long been torn down to make room for the Congregational Hospital. He had read of it with interest, for the paper had told about some strange burrows or passages found in the rocky hill beneath.

Through his puzzlement a voice piped, and he started again at its familiarity after long years. Old Benijah Corey had been his Uncle Christopher's hired man, and was aged even in those far-off times of his boyhood visits. Now he must be well over a hundred, but that piping voice could come from no one else. He could distinguish no words, yet the tone was haunting and unmistakable. To think that "Old Benijy" should still be alive!

"Mister Randy! Mister Randy! Wharbe ye? D'ye want to skeer yer Aunt Marthy plumb to death? Hain't she tuld ye to keep nigh the place in the arternoon an' git back afur dark? Randy! Ran... dee!... He's the beatin'est boy fer runnin' off in the woods I ever see; haff the time a-settin' moonin' raound that snake-den in the upper timberlot! ... Hey yew, Ran ... dee!"

Randolph Carter stopped in the pitch darkness and rubbed his hand across his eyes. Something was queer. He had been somewhere he ought not to be; had strayed very far away to places where he had not belonged, and was now inexcusably late. He had not noticed the time on the Kingsport steeple, though he could easily have made it out with his pocket telescope; but he knew his lateness was something very strange and unprecedented. He was not sure he had his little telescope with him, and put his hand in his blouse pocket to see. No, it was not there, but there was the big silver key he had found in a box somewhere. Uncle Chris had told him something odd once about an old unopened box with a key in it, but Aunt Martha had stopped the story abruptly, saying it was no kind of thing to tell a child whose head was already too full of queer fancies. He tried to recall just where he had found the key, but something seemed very confused. He guessed it was in the attic at home in Boston, and dimly remembered bribing Parks with half his week's allowance to help him open the box and keep quiet about it; but when he remembered this, the face of Parks came up very strangely, as if the wrinkles of long years had fallen upon the brisk little Cockney.

"Ran ... dee! Ran ... dee! Hi! Hi! Randy!"

A swaying lantern came around the black bend, and old Benijah pounced on the silent and bewildered form of the pilgrim.

"Durn ye, boy, so thar ye be! Ain't ye got a tongue in yer head, that ye can't answer a body! I ben callin' this haff hour, an' ye must a heerd me long ago! Dun't ye know yer Aunt Marthy's all a-fidget over yer bein' off arter dark? Wait till I tell yer Uncle Chris when he gits hum! Ye'd orta know these here woods ain't no fitten place to be traipsin' this hour! They's things abroad what dun't do nobody no good, as my gran'-sir knowed afur me. Come, Mister Randy, or Hannah wunt keep supper no longer!"

So Randolph Carter was marched up the road where wondering stars glimmered through high autumn boughs. And dogs barked as the yellow light of small-paned windows shone out at the farther turn, and the Pleiades twinkled across the open knoll where a great gambrel roof stood black against the dim west. Aunt Martha was in the doorway, and did not scold too hard when Benijah shoved the truant in. She knew Uncle Chris well enough to expect such things of the Carter blood. Randolph did not show his key, but ate his supper in silence and protested only when bedtime came. He sometimes dreamed better when awake, and he wanted to use that key.

In the morning Randolph was up early, and would have run off to the upper timberlot if Uncle Chris had not caught him and forced him into his chair by the breakfast table. He looked impatiently around the low-pitched room with the rag carpet and exposed beams and corner-posts, and smiled only when the orchard boughs scratched at the leaded panes of the rear window. The trees and the hills were close to him, and formed the gates of that timeless realm which was his true country.

Then, when he was free, he felt in his blouse pocket for the key; and being reassured, skipped off across the orchard to the rise beyond, where the wooded hill climbed again to heights above even the treeless knoll. The floor of the forest was mossy and mysterious, and great lichened rocks rose vaguely here and there in the dim light like Druid monoliths among the swollen and twisted trunks of a sacred grove. Once in his ascent Randolph crossed a rushing stream whose falls a little way off sang runic incantations to the lurking fauns and aegipans and dryads.

Then he came to the strange cave in the forest slope, the dreaded "snake-den" which country folk shunned, and away from which Benijah had warned him again and again. It was deep; far deeper than anyone but Randolph suspected, for the boy had found a fissure in the farthermost black corner that led to a loftier grotto beyond - a haunting sepulchral place whose granite walls held a curious illusion of conscious artifice. On this occasion he crawled in as usual, lighting his way with matches filched from the sitting-room matchsafe, and edging through the final crevice with an eagerness hard to explain even to himself. He could not tell why he approached the farther wall so confidently, or why he instinctively drew forth the great silver key as he did so. But on he went, and when he danced back to the house that night he offered no excuses for his lateness, nor heeded in the least the reproofs he gained for ignoring the noon-tide dinner-horn altogether.

Now it is agreed by all the distant relatives of Randolph Carter that something occurred to heighten his imagination in his tenth year. His cousin, Ernest B. Aspinwall, Esq., of Chicago, is fully ten years his senior; and distinctly recalls a change in the boy after the autumn of 1883. Randolph had looked on scenes of fantasy that few others can ever have beheld, and stranger still were some of the qualities which he showed in relation to very mundane things. He seemed, in fine, to have picked up an odd gift of prophecy; and reacted unusually to things which, though at the time without meaning, were later found to justify the singular impressions. In subsequent decades as new inventions, new names, and new events appeared one by one in the book of history, people would now and then recall wonderingly how Carter had years before let fall some careless word of undoubted connection with what was then far in the future. He did not himself understand these words, or know why certain things made him feel certain emotions; but fancied that some unremembered dream must be responsible. It was as early as 1897 that he turned pale when some traveller mentioned the French town of Belloy-en-Santerre, and friends remembered it when he was almost mortally wounded there in 1916, while serving with the Foreign Legion in the Great War.

Carter's relatives talk much of these things because he has lately disappeared. His little old servant Parks, who for years bore patiently with his vagaries, last saw him on the morning he drove off alone in his car with a key he had recently found. Parks had helped him get the key from the old box containing it, and had felt strangely affected by the grotesque carvings on the box, and by some other odd quality he could not name. When Carter left, he had said he was going to visit his old ancestral country around Arkham.

Half way up Elm Mountain, on the way to the ruins of the old Carter place, they found his motor set carefully by the roadside; and in it was a box of fragrant wood with carvings that frightened the countrymen who stumbled on it. The box held only a queer parchment whose characters no linguist or palaeographer has been able to decipher or identify. Rain had long effaced any possible footprints, though Boston investigators had something to say about evidences of disturbances among the fallen timbers of the Carter place. It was, they averred, as though someone had groped about the ruins at no distant period. A common white handkerchief found among forest rocks on the hillside beyond cannot be identified as belonging to the missing man.

There is talk of apportioning Randolph Carter's estate among his heirs, but I shall stand firmly against this course because I do not believe he is dead. There are twists of time and space, of vision and reality, which only a dreamer can divine; and from what I know of Carter I think he has merely found a way to traverse these mazes. Whether or not he will ever come back, I cannot say. He wanted the lands of dream he had lost, and yearned for the days of his childhood. Then he found a key, and I somehow believe he was able to use it to strange advantage.

I shall ask him when I see him, for I expect to meet him shortly in a certain dream-city we both used to haunt. It is rumoured in Ulthar, beyond the River Skai, that a new king reigns on the opal throne of Ilek-Vad, that fabulous town of turrets atop the hollow cliffs of glass overlooking the twilight sea wherein the bearded and finny Gnorri build their singular labyrinths, and I believe I know how to interpret this rumour. Certainly, I look forward impatiently to the sight of that great silver key, for in its cryptical arabesques there may stand symbolised all the aims and mysteries of a blindly impersonal cosmos.

Ligeia - Edgar Allan Poe

And the will therein lieth, which dieth not. Who knoweth the mysteries of the will, with its vigor? For God is but a great will pervading all things by nature of its intentness. Man doth not yield himself to the angels, nor unto death utterly, save only through the weakness of his feeble will. - Joseph Glanvill.

I Cannot, for my soul, remember how, when, or even precisely where, I first became acquainted with the lady Ligeia. Long years have since elapsed, and my memory is feeble through much suffering. Or, perhaps, I cannot now bring these points to mind, because, in truth, the character of my beloved, her rare learning, her singular yet placid cast of beauty, and the thrilling and enthralling eloquence of her low musical language, made their way into my heart by paces so steadily and stealthily progressive that they have been unnoticed and unknown. Yet I believe that I met her first and most frequently in some large, old, decaying city near the Rhine. Of her family - I have surely heard her speak. That it is of a remotely ancient date cannot be doubted. Ligeia! Ligeia! in studies of a nature more than all else adapted to deaden impressions of the outward world, it is by that sweet word alone - by Ligeia - that I bring before mine eyes in fancy the image of her who is no more. And now, while I write, a recollection flashes upon me that I have never known the paternal name of her who was my friend and my betrothed, and who became the partner of my studies, and finally the wife of my bosom. Was it a playful charge on the part of my Ligeia? or was it a test of my strength of affection, that I should institute no inquiries upon this point? or was it rather a caprice of my own - a wildly romantic offering on the shrine of the most passionate devotion? I but indistinctly recall the fact itself - what wonder that I have utterly forgotten the circumstances which originated or attended it? And, indeed, if ever she, the wan and the misty-winged Ashtophet of idolatrous Egypt, presided, as they tell, over marriages ill-omened, then most surely she presided over mine.

There is one dear topic, however, on which my memory falls me not. It is the person of Ligeia. In stature she was tall, somewhat slender, and, in her latter days, even emaciated. I would in vain attempt to portray the majesty, the quiet ease, of her demeanor, or the incomprehensible lightness and elasticity of her footfall. She came and departed as a shadow. I was never made aware of her entrance into my closed study save by the dear music of her low sweet voice, as she placed her marble hand upon my shoulder. In beauty of face no maiden ever equalled her. It was the radiance of an opium-dream - an airy and spirit-lifting vision more wildly divine than the phantasies which hovered vision about the slumbering souls of the daughters of Delos. Yet her features were not of that regular mould which we have been falsely taught to worship in the classical labors of the heathen. "There is no exquisite beauty," says Bacon, Lord Verulam, speaking truly of all the forms and genera of beauty, without some strangeness in the proportion." Yet, although I saw that the features of Ligeia were not of a classic regularity - although I perceived that her loveliness was indeed "exquisite," and felt that there was much of "strangeness" pervading it, yet I have tried in vain to detect the irregularity and to trace home my own perception of "the strange." I examined the contour of the lofty and pale forehead - it
was faultless - how cold indeed that word when applied to a majesty so divine! - the skin rivalling the purest ivory, the commanding extent and repose, the gentle prominence of the regions above the temples; and then the raven-black, the glossy, the luxuriant and naturally-curling tresses, setting forth the full force of the Homeric epithet, "hyacinthine!" I looked at the delicate outlines of the nose - and nowhere but in the graceful medallions of the Hebrews had I beheld a similar perfection. There were the same luxurious smoothness of surface, the same scarcely perceptible tendency to the aquiline, the same harmoniously curved nostrils speaking the free spirit. I regarded the sweet mouth. Here was indeed the triumph of
all things heavenly - the magnificent turn of the short upper lip - the soft, voluptuous slumber of the under - the dimples which sported, and the color which spoke - the teeth glancing back, with a brilliancy almost startling, every ray of the holy light which fell upon them in her serene and placid, yet most exultingly radiant of all smiles. I scrutinized the formation of the chin - and here, too, I found the gentleness of breadth, the softness and the majesty, the fullness and the spirituality, of the Greek - the contour which the god Apollo revealed but in a dream, to Cleomenes, the son of the Athenian. And then I peered into the large eves of Ligeia.

For eyes we have no models in the remotely antique. It might have been, too, that in these eves of my beloved lay the secret to which Lord Verulam alludes. They were, I must believe, far larger than the ordinary eyes of our own race. They were even fuller than the fullest of the gazelle eyes of the tribe of the valley of Nourjahad. Yet it was only at intervals - in moments of intense excitement - that this peculiarity became more than slightly noticeable in Ligeia. And at such moments was her beauty - in my heated fancy thus it appeared perhaps - the beauty of beings either above or apart from the earth - the beauty of the fabulous Houri of the Turk. The hue of the orbs was the most brilliant of black, and, far over them, hung jetty lashes of great length. The brows, slightly irregular in outline, had the same tint. The "strangeness," however, which I found in the eyes, was of a nature distinct from the formation, or the color, or the brilliancy of the features, and must, after all, be referred to the expression. Ah, word of no meaning! behind whose vast latitude of mere sound we intrench our ignorance of so much of the spiritual. The expression of the eyes of Ligeia! How for long hours have I pondered upon it! How have I, through the whole of a midsummer night, struggled to fathom it! What was it - that something more profound than the well of Democritus - which lay far within the pupils of my
beloved? What was it? I was possessed with a passion to discover. Those eyes! those large, those shining, those divine orbs! they became to me twin stars of Leda, and I to them devoutest of
astrologers.

There is no point, among the many incomprehensible anomalies of the science of mind, more thrillingly exciting than the fact - never, I believe, noticed in the schools - that, in our endeavors to recall to memory something long forgotten, we often find ourselves upon the very verge of remembrance, without being able, in the end, to remember. And thus how frequently, in my intense scrutiny of Ligeia's eyes, have I felt approaching the full knowledge of their expression - felt it approaching - yet not quite be mine - and so at length entirely depart! And (strange, oh strangest mystery of all!) I found, in the commonest objects of the universe, a circle of analogies to theat expression. I mean to say that, subsequently to the period when Ligeia's beauty passed into my spirit, there dwelling as in a shrine, I derived, from many existences in the material world, a sentiment such as I felt always aroused within me by her large and luminous orbs. Yet not the more could I define that sentiment, or analyze, or even steadily view it. I recognized it, let me repeat, sometimes in the survey of a rapidly-growing vine - in the contemplation of a moth, a butterfly, a chrysalis, a stream of running water. I have felt it in the ocean; in the falling of a meteor. I have felt it in the glances of unusually aged people. And there are one or two stars in heaven - (one especially, a star of the sixth magnitude, double and changeable, to be found near the large star in Lyra) in a telescopic scrutiny of which I have been made aware of the feeling. I have been filled with it by certain sounds from stringed instruments, and not unfrequently by passages from books. Among innumerable other instances, I well remember something in a volume of Joseph Glanvill, which (perhaps merely from its quaintness - who shall say?) never failed to inspire me with the sentiment; - "And the will therein lieth, which dieth not. Who knoweth the mysteries of the will, with its vigor? For God is but a great will pervading all things by nature of its intentness. Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will."

Length of years, and subsequent reflection, have enabled me to trace, indeed, some remote connection between this passage in the English moralist and a portion of the character of Ligeia. An intensity in thought, action, or speech, was possibly, in her, a result, or at least an index, of that gigantic volition which, during our long intercourse, failed to give other and more immediate evidence of its existence. Of all the women whom I have ever known, she, the outwardly calm, the ever-placid Ligeia, was the most violently a prey to the tumultuous vultures of stern passion. And of such passion I could form no estimate, save by the miraculous expansion of those eyes which at once so delighted and appalled me - by the almost magical melody, modulation, distinctness and placidity of her very low voice - and by the fierce energy (rendered doubly effective by contrast with her manner of utterance) of the wild words which she habitually uttered.

I have spoken of the learning of Ligeia: it was immense - such as Ihave never known in woman. In the classical tongues was she deeply proficient, and as far as my own acquaintance extended in regard to the modern dialects of Europe, I have never known her at fault. Indeed upon any theme of the most admired, because simply the most abstruse of the boasted erudition of the academy, have I ever found Ligeia at fault? How singularly - how thrillingly, this one point in the nature of my wife has forced itself, at this late period only, upon my attention! I said her knowledge was such as I have never known in woman - but where breathes the man who has traversed, and successfully, all the wide areas of moral, physical, and mathematical science? I saw not then what I now clearly perceive, that the acquisitions of Ligeia were gigantic, were astounding; yet I was sufficiently aware of her infinite supremacy to resign myself, with a child-like confidence, to her guidance through the chaotic world of metaphysical investigation at which I was most busily occupied during the earlier years of our marriage. With how vast a triumph - with how vivid a delight - with how much of all that is ethereal in hope - did I feel, as she bent over me in studies but little sought - but less known - that delicious vista by slow degrees expanding before me, down whose long, gorgeous, and all untrodden path, I might at length pass onward to the goal of a wisdom too divinely precious not to be forbidden!

How poignant, then, must have been the grief with which, after some years, I beheld my well-grounded expectations take wings to themselves and fly away! Without Ligeia I was but as a child groping benighted. Her presence, her readings alone, rendered vividly luminous the many mysteries of the transcendentalism in which we were immersed. Wanting the radiant lustre of her eyes, letters, lambent and golden, grew duller than Saturnian lead. And now those eyes shone less and less frequently upon the pages over which I pored. Ligeia grew ill. The wild eyes blazed with a too - too glorious effulgence; the pale fingers became of the transparent waxen hue of the grave, and the blue veins upon the lofty forehead swelled and sank impetuously with the tides of the gentle emotion. I saw that she must die - and I struggled desperately in spirit with the grim Azrael. And the struggles of the passionate wife were, to my astonishment, even more energetic than my own. There had been much in her stern nature to impress me with the belief that, to her, death would have come without its terrors; - but not so. Words are impotent to convey any just idea of the fierceness of resistance with which she wrestled with the Shadow. I groaned in anguish at the pitiable spectacle. would have soothed - I would have reasoned; but, in the intensity of her wild desire for life, - for life - but for life - solace and reason were the uttermost folly. Yet not until the last instance, amid the most convulsive writhings of her fierce spirit, was shaken the external placidity of her demeanor. Her voice grew more gentle - grew more low - yet I would not wish to dwell upon the wild meaning
of the quietly uttered words. My brain reeled as I hearkened entranced, to a melody more than mortal - to assumptions and aspirations which mortality had never before known.

That she loved me I should not have doubted; and I might have been easily aware that, in a bosom such as hers, love would have reigned no ordinary passion. But in death only, was I fully impressed with the strength of her affection. For long hours, detaining my hand, would she pour out before me the overflowing of a heart whose more than passionate devotion amounted to idolatry. How had I deserved to be so blessed by such confessions? - how had I deserved to be so cursed with the removal of my beloved in the hour of her making them, But upon this subject I cannot bear to dilate. Let me say only, that in Ligeia's more than womanly abandonment to a love, alas! all unmerited, all unworthily bestowed, I at length recognized the principle of her longing with so wildly earnest a desire for the life which was now fleeing so rapidly away. It is this wild longing - it is this eager vehemence of desire for life - but for life - that I have no power to portray - no utterance capable of expressing.

At high noon of the night in which she departed, beckoning me, peremptorily, to her side, she bade me repeat certain verses composed by herself not many days before. I obeyed her. - They were these:

Lo! 'tis a gala night
Within the lonesome latter years!
An angel throng, bewinged, bedight
In veils, and drowned in tears,
Sit in a theatre, to see
A play of hopes and fears,
While the orchestra breathes fitfully
The music of the spheres.

Mimes, in the form of God on high,
Mutter and mumble low,
And hither and thither fly;
Mere puppets they, who come and go
At bidding of vast formless things
That shift the scenery to and fro,
Flapping from out their Condor wings
Invisible Wo!

That motley drama! -- oh, be sure
It shall not be forgot!
With its Phantom chased forever more,
By a crowd that seize it not,
Through a circle that ever returneth in
To the self-same spot,
And much of Madness and more of Sin
And Horror the soul of the plot.

But see, amid the mimic rout,
A crawling shape intrude!
A blood-red thing that writhes from out
The scenic solitude!
It writhes! -- it writhes! -- with mortal pangs
The mimes become its food,
And the seraphs sob at vermin fangs
In human gore imbued.

Out -- out are the lights -- out all!
And over each quivering form,
The curtain, a funeral pall,
Comes down with the rush of a storm,
And the angels, all pallid and wan,
Uprising, unveiling, affirm
That the play is the tragedy, "Man,"
And its hero the Conqueror Worm.

"O God!" half shrieked Ligeia, leaping to her feet and extending her arms aloft with a spasmodic movement, as I made an end of these lines - "O God! O Divine Father! - shall these things be undeviatingly so? - shall this Conqueror be not once conquered? Are we not part and parcel in Thee? Who - who knoweth the mysteries of the will with its vigor? Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will."

And now, as if exhausted with emotion, she suffered her white arms to fall, and returned solemnly to her bed of death. And as she breathed her last sighs, there came mingled with them a low murmur from her lips. I bent to them my ear and distinguished, again, the concluding words of the passage in Glanvill - "Man doth not yield him to the angels, nor unto death utterly, save only through the weakness of his feeble will."

She died; - and I, crushed into the very dust with sorrow, could no longer endure the lonely desolation of my dwelling in the dim and decaying city by the Rhine. I had no lack of what the world calls wealth. Ligeia had brought me far more, very far more than ordinarily falls to the lot of mortals. After a few months, therefore, of weary and aimless wandering, I purchased, and put in some repair, an abbey, which I shall not name, in one of the wildest and least frequented portions of fair England. The gloomy and dreary grandeur of the building, the almost savage aspect of the domain, the many melancholy and time-honored memories connected with both, had much in unison with the feelings of utter abandonment which had driven me into that remote and unsocial region of the country. Yet although the external abbey, with its verdant decay hanging about it, suffered but little alteration, I gave way, with a child-like perversity, and perchance with a faint hope of alleviating my sorrows, to a display of more than regal magnificence within. - For such follies, even in childhood, I had imbibed a taste and now they came back to me as if in the dotage of grief. Alas, I feel how much even of incipient madness might have been discovered in the gorgeous and fantastic draperies, in the solemn carvings of Egypt, in the wild cornices and furniture, in the Bedlam patterns of the carpets of tufted gold! I had become a bounden slave in the trammels of opium, and my labors and my orders had taken a coloring from my dreams. But these absurdities must not pause to detail. Let me speak only of that one chamber, ever accursed, whither in a moment of mental alienation, I led from the altar as my bride - as the successor of the unforgotten Ligeia - the fair-haired and blue-eyed Lady Rowena Trevanion, of Tremaine.

There is no individual portion of the architecture and decoration of that bridal chamber which is not now visibly before me. Where were the souls of the haughty family of the bride, when, through thirst of gold, they permitted to pass the threshold of an apartment so bedecked, a maiden and a daughter so beloved? I have said that I minutely remember the details of the chamber - yet I am sadly forgetful on topics of deep moment - and here there was no system, no keeping, in the fantastic display, to take hold upon the memory. The room lay in a high turret of the castellated abbey, was pentagonal in shape, and of capacious size. Occupying the whole southern face of the pentagon was the sole window - an immense sheet of unbroken glass from Venice - a single pane, and tinted of a leaden hue, so that the rays of either the sun or moon, passing through it, fell with a ghastly lustre on the objects within. Over the upper portion of this huge window, extended the trellice-work of an aged vine, which clambered up the massy walls of the turret. The ceiling, of gloomy-looking oak, was excessively lofty, vaulted, and elaborately fretted with the wildest and most grotesque specimens of a semi-Gothic, semi-Druidical device. From out the most central recess of this melancholy vaulting, depended, by a single chain of gold with long links, a huge censer of the same metal, Saracenic in pattern, and with many perforations so contrived that there writhed in and out of them, as if endued with a serpent vitality, a continual succession of parti-colored fires.

Some few ottomans and golden candelabra, of Eastern figure, were in various stations about - and there was the couch, too - bridal couch - of an Indian model, and low, and sculptured of solid ebony, with a pall-like canopy above. In each of the angles of the chamber stood on end a gigantic sarcophagus of black granite, from the tombs of the kings over against Luxor, with their aged lids full of immemorial sculpture. But in the draping of the apartment lay, alas! the chief phantasy of all. The lofty walls, gigantic in height - even unproportionably so - were hung from summit to foot, in vast folds, with a heavy and massive-looking tapestry - tapestry of a material which was found alike as a carpet on the floor, as a covering for the ottomans and the ebony bed, as a canopy for the bed, and as the gorgeous volutes of the curtains which partially shaded the window. The material was the richest cloth of gold. It was spotted all over, at irregular intervals, with arabesque figures, about a foot in diameter, and wrought upon the cloth in patterns of the most jetty black. But these figures partook of the true character of the arabesque only when regarded from a single point of view. By a contrivance now common, and indeed traceable to a very remote period of antiquity, they were made changeable in aspect. To one entering the room, they bore the appearance of simple monstrosities; but upon a farther advance, this appearance gradually departed; and step by step, as the visitor moved his station in the chamber, he saw himself surrounded by an endless succession of the ghastly forms which belong to the superstition of the Norman, or arise in the guilty slumbers of the monk. The phantasmagoric effect was vastly heightened by the artificial introduction of a strong continual current of wind behind the draperies -- giving a hideous and uneasy animation to the whole.

In halls such as these - in a bridal chamber such as this - I passed, with the Lady of Tremaine, the unhallowed hours of the first month of our marriage - passed them with but little disquietude. That my wife dreaded the fierce moodiness of my temper - that she shunned me and loved me but little - I could not help perceiving; but it gave me rather pleasure than otherwise. I loathed her with a hatred belonging more to demon than to man. My memory flew back, (oh, with what intensity of regret!) to Ligeia, the beloved, the august, the beautiful, the entombed. I revelled in recollections of her purity, of her wisdom, of her lofty, her ethereal nature, of her passionate, her idolatrous love. Now, then, did my spirit fully and freely burn with more than all the fires of her own. In the excitement of my opium dreams (for I was habitually fettered in the shackles of the drug) I would call aloud upon her name, during the silence of the night, or among the sheltered recesses of the glens by day, as if, through the wild eagerness, the solemn passion, the consuming ardor of my longing for the departed, I could restore her to the pathway she had abandoned - ah, could it be forever? - upon the earth.

About the commencement of the second month of the marriage, the Lady Rowena was attacked with sudden illness, from which her recovery was slow. The fever which consumed her rendered her nights uneasy; and in her perturbed state of half-slumber, she spoke of sounds, and of motions, in and about the chamber of the turret, which I concluded had no origin save in the distemper of her fancy, or perhaps in the phantasmagoric influences of the chamber itself. She became at length convalescent - finally well. Yet but a brief period elapsed, ere a second more violent disorder again threw her upon a bed of suffering; and from this attack her frame, at all times feeble, never altogether recovered. Her illnesses were, after this epoch, of alarming character, and of more alarming recurrence, defying alike the knowledge and the great exertions of her physicians. With the increase of the chronic disease which had thus, apparently, taken too
sure hold upon her constitution to be eradicated by human means, I could not fall to observe a similar increase in the nervous irritation of her temperament, and in her excitability by trivial
causes of fear. She spoke again, and now more frequently and pertinaciously, of the sounds - of the slight sounds - and of the unusual motions among the tapestries, to which she had formerly
alluded.

One night, near the closing in of September, she pressed this distressing subject with more than usual emphasis upon my attention. She had just awakened from an unquiet slumber, and I had been watching, with feelings half of anxiety, half of vague terror, the workings of her emaciated countenance. I sat by the side of her ebony bed, upon one of the ottomans of India. She partly arose, and spoke, in an earnest low whisper, of sounds which she then heard, but which I could not hear - of motions which she then saw, but which I could not perceive. The wind was rushing hurriedly behind the tapestries, and I wished to show her (what, let me confess it, I could not all
believe) that those almost inarticulate breathings, and those very gentle variations of the figures upon the wall, were but the natural effects of that customary rushing of the wind. But a deadly pallor, overspreading her face, had proved to me that my exertions to reassure her would be fruitless. She appeared to be fainting, and no attendants were within call. I remembered where was deposited a decanter of light wine which had been ordered by her physicians, and hastened across the chamber to procure it. But, as I stepped beneath the light of the censer, two circumstances of a startling nature attracted my attention. I had felt that some palpable although invisible object had passed lightly by my person; and I saw that there lay upon the golden carpet, in the very middle of the rich lustre thrown from the censer, a shadow - a faint, indefinite shadow of angelic aspect - such as might be fancied for the shadow of a shade. But I was wild with the excitement of an immoderate dose of opium, and heeded these things but little, nor spoke of them to Rowena. Having found the wine, I recrossed the chamber, and poured out a gobletful, which I held to the lips of the fainting lady. She had now partially recovered, however, and took the vessel herself, while I sank upon an ottoman near me, with my eyes fastened upon her person. It was then that I became distinctly aware of a gentle footfall upon the carpet, and near the couch; and in a second thereafter, as Rowena was in the act of raising the wine to her lips, I saw, or may have dreamed that I saw, fall within the goblet, as if
from some invisible spring in the atmosphere of the room, three or four large drops of a brilliant and ruby colored fluid. If this I saw - not so Rowena. She swallowed the wine unhesitatingly, and I forbore to speak to her of a circumstance which must, after all, I considered, have been but the suggestion of a vivid imagination, rendered morbidly active by the terror of the lady, by the opium, and by the hour.

Yet I cannot conceal it from my own perception that, immediately subsequent to the fall of the ruby-drops, a rapid change for the worse took place in the disorder of my wife; so that, on the third subsequent night, the hands of her menials prepared her for the tomb, and on the fourth, I sat alone, with her shrouded body, in that fantastic chamber which had received her as my bride. - Wild visions, opium-engendered, flitted, shadow-like, before me. I gazed with unquiet eye upon the sarcophagi in the angles of the room, upon the varying figures of the drapery, and upon the writhing of the parti-colored fires in the censer overhead. My eyes then fell, as I called to mind the circumstances of a former night, to the spot beneath the glare of the censer where I had seen the faint traces of the shadow. It was there, however, no longer; and breathing with greater freedom, I turned my glances to the pallid and rigid figure upon the bed. Then rushed upon me a thousand memories of Ligeia - and then came back upon my heart, with the turbulent violence of a flood, the whole of that unutterable wo with which I had regarded her thus enshrouded. The night waned; and still, with a bosom full of bitter thoughts of the one only and supremely beloved, I remained gazing upon the body of Rowena.

It might have been midnight, or perhaps earlier, or later, for I had taken no note of time, when a sob, low, gentle, but very distinct, startled me from my revery. - I felt that it came from the bed of ebony - the bed of death. I listened in an agony of superstitious terror - but there was no repetition of the sound. I strained my vision to detect any motion in the corpse - but there was not the slightest perceptible. Yet I could not have been deceived. I had heard the noise, however faint, and my soul was awakened within me. I resolutely and perseveringly kept my attention riveted upon the body. Many minutes elapsed before any circumstance occurred tending to throw light upon the mystery. At length it became evident that a slight, a very feeble, and barely noticeable tinge of color had flushed up within the cheeks, and along the sunken small veins of theeyelids. Through a species of unutterable horror and awe, for which the language of mortality has no sufficiently energetic expression, I felt my heart cease to beat, my limbs grow rigid where I sat. Yet a sense of duty finally operated to restore my self-possession. I could no longer doubt that we had been precipitate in our preparations - that Rowena still lived. It was necessary that some immediate exertion be made; yet turret was altogether apart from the portion of the abbey tenanted by the servants - there were none within call - I had no means of summoning them to my aid without leaving the room for many minutes - and this I could not venture to do. I therefore struggled alone in my endeavors to call back the spirit ill hovering. In a short period it was certain, however, that a relapse had taken place; the color disappeared from both eyelid and cheek, leaving a wanness even more than that of marble; the lips became doubly shrivelled and pinched up in the ghastly expression of death; a repulsive clamminess and coldness overspread rapidly the surface of the body; and all the usual rigorous illness immediately supervened. I fell back with a shudder upon the couch from which I had been so
startlingly aroused, and again gave myself up to passionate waking visions of Ligeia.

An hour thus elapsed when (could it be possible?) I was a second time aware of some vague sound issuing from the region of the bed. I listened - in extremity of horror. The sound came again - it was a sigh. Rushing to the corpse, I saw - distinctly saw - a tremor upon the lips. In a minute afterward they relaxed, disclosing a bright line of the pearly teeth. Amazement now struggled in my bosom with the profound awe which had hitherto reigned there alone. I felt that
my vision grew dim, that my reason wandered; and it was only by a violent effort that I at length succeeded in nerving myself to the task which duty thus once more had pointed out. There was now a partial glow upon the forehead and upon the cheek and throat; a perceptible warmth pervaded the whole frame; there was even a slight pulsation at the heart. The lady lived; and with redoubled ardor I betook myself to the task of restoration. I chafed and bathed the temples and the hands, and used every exertion which experience, and no little. medical reading, could suggest. But in vain. Suddenly, the color fled, the pulsation ceased, the lips resumed the expression of the dead, and, in an instant afterward, the whole body took upon itself the icy chilliness, the livid hue, the intense rigidity, the sunken outline, and all the loathsome peculiarities of that which has been, for many days, a tenant of the tomb.

And again I sunk into visions of Ligeia - and again, (what marvel that I shudder while I write,) again there reached my ears a low sob from the region of the ebony bed. But why shall I minutely detail the unspeakable horrors of that night? Why shall I pause to relate how, time after time, until near the period of the gray dawn, this hideous drama of revivification was repeated; how each terrific relapse was only into a sterner and apparently more irredeemable death; how each agony wore the aspect of a struggle with some invisible foe; and how each struggle was succeeded by I know not what of wild change in the personal appearance of the corpse? Let me hurry to a conclusion.

The greater part of the fearful night had worn away, and she who had been dead, once again stirred - and now more vigorously than hitherto, although arousing from a dissolution more appalling in its utter hopelessness than any. I had long ceased to struggle or to move, and remained sitting rigidly upon the ottoman, a helpless prey to a whirl of violent emotions, of which extreme awe was perhaps the least terrible, the least consuming. The corpse, I repeat, stirred, and now more vigorously than before. The hues of life flushed up with unwonted energy into the countenance - the limbs relaxed - and, save that the eyelids were yet pressed heavily together, and that the bandages and draperies of the grave still imparted their charnel character to the figure, I might have dreamed that Rowena had indeed shaken off, utterly, the fetters of Death. But if this idea was not, even then, altogether adopted, I could at least doubt no longer,
when, arising from the bed, tottering, with feeble steps, with closed eyes, and with the manner of one bewildered in a dream, the thing that was enshrouded advanced boldly and palpably into the middle of the apartment.

I trembled not - I stirred not - for a crowd of unutterable fancies connected with the air, the stature, the demeanor of the figure, rushing hurriedly through my brain, had paralyzed - had chilled me into stone. I stirred not - but gazed upon the apparition. There was a mad disorder in my thoughts - a tumult unappeasable. Could it, indeed, be the living Rowena who confronted me? Could it indeed be Rowena at all - the fair-haired, the blue-eyed Lady Rowena Trevanion of Tremaine? Why, why should I doubt it? The bandage lay heavily about the mouth - but then might it not be the mouth of the breathing Lady of Tremaine? And the cheeks-there were the roses as in her noon of life - yes, these might indeed be the fair cheeks of the living Lady of Tremaine. And the chin, with its dimples, as in health, might it not be hers? - but had she then grown taller since her malady? What inexpressible madness seized me with that thought? One bound, and I had reached her feet! Shrinking from my touch, she let fall from her head, unloosened, the ghastly cerements which had confined it, and there streamed forth, into the rushing atmosphere of the chamber, huge masses of long and dishevelled hair; it was blacker than the raven wings of the midnight! And now slowly opened the eyes of the figure which stood before me. "Here then, at least," I shrieked aloud, "can I never - can I never be mistaken - these are the full, and the black, and the wild eyes - of my lost love - of the lady - of the LADY LIGEIA."